An Orchard under the Church of Bihorel by Paul Gauguin

An Orchard under the Church of Bihorel

Paul Gauguin · 1884

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“This early work by Paul Gauguin offers a glimpse into his Impressionist roots, showcasing a serene orchard scene under the Bihorel church with a vibrant play of light and color that anticipates his later, more radical style.”

ABOUT THIS WORK

In "An Orchard under the Church of Bihorel," Paul Gauguin captures a quiet, almost domestic scene. The painting shows a cluster of fruit trees, their branches laden, beneath the imposing presence of a church. The brushstrokes, particularly in the foliage, are loose and impressionistic, allowing the vibrant greens and yellows to blend. This work comes from a period when Gauguin was still exhibiting with the Impressionists, and you can see their influence in the way light filters through the leaves and dapples the ground. Yet, there's also a hint of the bolder color and simplified forms that would later define his unique style. The composition draws your eye from the foreground orchard, up a gentle slope, to the solid, almost sculptural form of the church, grounding the natural world with a sense of human presence and history.

DETAILS
Artist
Paul Gauguin
Date
1884
Medium
Oil on canvas
Location
Thyssen-Bornemisza Museum
ART MOVEMENTS
LOOK CLOSER

What to Notice

Four details hide in plain sight. Here’s where to look.

An Orchard under the Church of Bihorel
01

The dappled light filtering through the leaves onto the orchard floor.

02

The distinct, almost block-like shape of the church against the sky.

03

The varied greens and yellows used to depict the abundant foliage.

04

The subtle texture created by visible brushstrokes, especially in the trees.

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THE ARTIST

Paul Gauguin

1848–1903 · France

Paul Gauguin, the French Post-Impressionist, abandoned a stockbroker's life for art, famously seeking 'refuge from Western civilization' in Tahiti.

Read Gauguin’s full story
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Beyond Gauguin and Symbolism: works from the same years, and from the other movements An Orchard under the Church of Bihorel belongs to.

Equestrienne (At the Cirque Fernando) Same movement · Post-Impressionism Equestrienne (At the Cirque Fernando) Henri de Toulouse-Lautrec · 1887 · Art Institute of Chicago Cart with Black Ox Same era · 1860s–1890s Cart with Black Ox Vincent van Gogh · 1884 · Portland Art Museum After the Bullfight Same movement · Impressionism After the Bullfight Mary Cassatt · 1873 · Art Institute of Chicago A Sunday on La Grande Jatte — 1884 Same era · 1860s–1890s A Sunday on La Grande Jatte — 1884 Okada Saburosuke · 1884 · Art Institute of Chicago A Turn in the Road Same movement · Impressionism A Turn in the Road Alfred Sisley · 1873 · Art Institute of Chicago Madame Léon Clapisson Same era · 1860s–1890s Madame Léon Clapisson Léon-Victor Dupré · 1883 · Art Institute of Chicago Gustave Boyer (b. 1840) in a Straw Hat Same movement · Post-Impressionism Gustave Boyer (b. 1840) in a Straw Hat Paul Cézanne · 1870 · The Metropolitan Museum of Art Paris Street; Rainy Day Same era · 1860s–1890s Paris Street; Rainy Day Kawabata Gyokushō · 1877 · Art Institute of Chicago
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