“This striking portrait of Augustine Roulin, a comforting figure, uses a "lullaby in colors" to create a sense of peace and stability amidst vibrant, swirling patterns.”
A woman with a serene expression, Augustine Roulin, sits framed by a vibrant, almost pulsating background of red and green, gently rocking a cradle. Her hands, clasped around a rope, suggest a repetitive, comforting motion, even as the cradle itself is unseen. This portrait, one of five versions, offers a sense of quiet solace, an effect the artist described as a "lullaby in colors." The swirling, patterned backdrop and her distinctive cap create a powerful visual rhythm around her, drawing the eye to her calm presence. Created in January 1889, shortly after the artist's return from the hospital, the painting was a gesture of reconciliation. It was sent to Paul Gauguin, intended to be hung between two sunflower paintings, perhaps to evoke warmth and stability after a period of intense personal turmoil.
- Artist
- Vincent van Gogh
- Date
- 1889
- Medium
- Oil on canvas
- Location
- Art Institute of Chicago
- Dimensions
- 92.7 × 73.8 cm (36 1/2 × 29 1/2 in.); Framed: 111.9 × 91.8 × 8.3 cm (44 1/16 × 36 1/8 × 3 1/2 in.)
- Collection
- Painting and Sculpture of Europe
- Culture
- Netherlands
- Credit line
- Helen Birch Bartlett Memorial Collection
What to Notice
Five details hide in plain sight. Here’s where to look.

The vibrant, patterned background, almost radiating around Madame Roulin.
Her hands, clasped around the rope, suggesting a continuous, unseen motion.
The distinctive green and red of her clothing and cap.
The serene, almost meditative expression on her face.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Madame Roulin Rocking the Cradle (La berceuse) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Vincent van Gogh
1853–1890 · Kingdom of the NetherlandsVincent van Gogh, whose vibrant brushwork and bold colors transformed landscapes and portraits, created 2,100 artworks in just over a decade.
Further Works by van Gogh
A Peasant Woman Digging in Front of Her Cottage
1880 · Art Institute of Chicago
Fishing in Spring, the Pont de Clichy (Asnières)
1887 · Art Institute of Chicago
Grapes, Lemons, Pears, and Apples
1887 · Art Institute of Chicago
Terrace and Observation Deck at the Moulin de Blute-Fin, Montmartre
1887 · Art Institute of Chicago
The Poet's Garden
1888 · Art Institute of Chicago
The Bedroom
1889 · Art Institute of Chicago
The Drinkers
1890 · Art Institute of Chicago
Olive Trees
1853 · The Metropolitan Museum of Art
More from Expressionism
More works to explore
Beyond van Gogh and Expressionism: works from the same years, and from the other movements Madame Roulin Rocking the Cradle (La berceuse) belongs to.
Same movement · Post-Impressionism
Albert (René) Grenier (1858–1925)
Henri de Toulouse-Lautrec · 1887 · The Metropolitan Museum of Art
Same era · 1870s–1900s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same movement · Post-Impressionism
Carmelina
Henri Matisse · 1903 · Museum of Fine Arts Boston
Same era · 1870s–1900s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same movement · Post-Impressionism
The Old Guitarist
Pablo Picasso · 1903 · Art Institute of Chicago
Same era · 1870s–1900s
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same movement · Post-Impressionism
The Seine at Pont de Grenelle
Paul Gauguin · 1875 · Wallraf–Richartz Museum
Same era · 1870s–1900s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same movement · Post-Impressionism
Gustave Boyer (b. 1840) in a Straw Hat
Paul Cézanne · 1870 · The Metropolitan Museum of Art
Same era · 1870s–1900s
("Leda") Design for a Plate: Shame on Those Who Evil Think (Honi Soit Qui Mal y Pense) ; cover illustration for the "Volpini Suite" entitled Lithographic Drawings (Dessins lithographiques)
Paul Gauguin · 1889 · The Metropolitan Museum of Art
Same movement · Post-Impressionism
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1870s–1900s
Moulin de la Galette
Henri de Toulouse-Lautrec · 1889 · Art Institute of Chicago
Same era · 1870s–1900s
Rocks at Fontainebleau
Paul Cézanne · 1890 · The Metropolitan Museum of Art
Same era · 1870s–1900s
Stacks of Wheat (End of Day, Autumn)
Claude Monet · 1890 · Art Institute of Chicago
Same era · 1870s–1900s
Street in Moret
Alfred Sisley · 1890 · Art Institute of Chicago
Same era · 1870s–1900s
Two Girls Reading in a Garden
Pierre-Auguste Renoir · 1890
Same era · 1870s–1900s
Young Girl with Hat
Berthe Morisot · 1891 · Art Institute of Chicago
Same era · 1870s–1900s
Cows Drinking at a Pool
William Hart · 1886 · Museum of Fine Arts Boston




