“This engraving illustrates one of Aesop's classic fables, capturing the cunning of the fox and the folly of the crow with remarkable detail. It's a testament to the power of a well-told story rendered through meticulous artistry.”
In this intricate engraving for Aesop's Fables, a fox, with a sly expression and a feathered prize in its jaws, strides confidently away from a tree where a crow is perched, apparently outwitted. The scene is rendered with astonishing detail, from the individual feathers on the birds to the textures of the tree bark and the ground beneath the fox's paws. The composition draws the eye across the page, following the narrative flow of the fable. Gooden's precise lines and careful shading create a sense of depth and form, transforming the simple animal characters into vivid personalities. This work, created in 1936, exemplifies the enduring appeal of these ancient moral tales, brought to life through the meticulous craft of engraving.
- Artist
- Stephen Gooden
- Date
- 1936
- Medium
- engraving
- Location
- Cleveland Museum of Art
- Dimensions
- [object Object]
- Collection
- Prints
- Culture
- England, 20th century
- Credit line
- Gift of Carole W. and Charles B. Rosenblatt
What to Notice
Five details hide in plain sight. Here’s where to look.

The subtle, knowing smirk on the fox's face.
The delicate cross-hatching that defines the crow's feathers.
The way the tree roots seem to grip the earth.
The tiny leaves and blades of grass in the foreground.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Aesop's Fables — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Stephen Gooden
1892–1955 · United KingdomMaster engraver whose St George design for Windsor Castle became the George Medal worn by British heroes.
Further Works by Gooden
The Fables of Jean de la Fontaine: The Swan and the Cook
1929 · Cleveland Museum of Art
The Swan and the Cook
1929 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": A Bill and a Wooden Block
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": A Gargoyle
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": A Lion Tearing at a Sack
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": Cock Key
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": Frontispiece
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": Peronnik the Fool
1933 · Cleveland Museum of Art
More works to explore
Beyond Gooden: works from the same years.
Same era · 1920s–1950s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1920s–1950s
Deux personnages
Pierre Alechinsky · 1950
Same era · 1920s–1950s
That Which I Should Have Done I Did Not Do (The Door)
Ivan Puni · 1931 · Art Institute of Chicago
Same era · 1920s–1950s
Nighthawks
Okada Saburosuke · 1942 · Art Institute of Chicago
Same era · 1920s–1950s
Straße mit Passanten bei Nachtbeleuchtung
Ernst Ludwig Kirchner · 1927 · Museum Frieder Burda
Same era · 1920s–1950s
The Indestructibles
Philip Evergood · 1946 · Art Institute of Chicago
Same era · 1920s–1950s
A Chemist Lifting with Extreme Precaution the Cuticle of a Grand Piano
Salvador Dalí · 1936 · Art Institute of Chicago
Same era · 1920s–1950s
Woman at an Easel (Green Screen)
Georges Braque · 1936 · Art Institute of Chicago
Same era · 1920s–1950s
Garden Airplane-Trap
Max Ernst · 1935 · Art Institute of Chicago
Same era · 1920s–1950s
On the Threshold of Liberty
René Magritte · 1937 · Art Institute of Chicago
Same era · 1920s–1950s
Two Women on the Shore
Edvard Munch · 1935 · Munch Museum
Same era · 1920s–1950s
Women Harvesting
Paul Klee · 1937 · Art Institute of Chicago
