“This detailed engraving transforms a simple bill pinned to a wooden block into a captivating study of texture and form, inviting close inspection of everyday objects.”
This engraving, created in 1933, illustrates a scene from "Peronnik the Fool," a story by George Moore. We see a bill, perhaps a receipt or a notice, pinned to a rough wooden block. The precise lines and intricate details, characteristic of engraving, give the everyday objects a sense of quiet importance. The artist, Stephen Gooden, was elected a fellow of the Royal Society of Painter-Etchers and Engravers in the same year this work was made, highlighting his mastery of the medium. The composition draws the eye to the textures of the wood and the delicate folds of the paper, transforming simple items into subjects of careful observation. This image invites us to consider the significance of small, often overlooked things within a larger narrative.
- Artist
- Stephen Gooden
- Date
- 1933
- Medium
- engraving
- Location
- Cleveland Museum of Art
- Dimensions
- [object Object]
What to Notice
Four details hide in plain sight. Here’s where to look.

The subtle grain and knots visible in the wooden block.
The way the paper bill appears slightly crumpled and aged.
The tiny pin holding the bill, with its distinct head and shadow.
The fine cross-hatching that creates depth and shadow on the wood.
Stand in front of it and listen
The full narration walks you through Illustration for "Peronnik the Fool": A Bill and a Wooden Block — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Stephen Gooden
1892–1955 · United KingdomMaster engraver whose St George design for Windsor Castle became the George Medal worn by British heroes.
Further Works by Gooden
The Fables of Jean de la Fontaine: The Swan and the Cook
1929 · Cleveland Museum of Art
The Swan and the Cook
1929 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": A Gargoyle
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": A Lion Tearing at a Sack
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": Cock Key
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": Frontispiece
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": Peronnik the Fool
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": Redemonde on the Staircase
1933 · Cleveland Museum of Art
More works to explore
Beyond Gooden: works from the same years.
Same era · 1910s–1940s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1910s–1940s
Nude
Ivan Puni · 1931 · Art Institute of Chicago
Same era · 1910s–1940s
American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
Straße mit Passanten bei Nachtbeleuchtung
Ernst Ludwig Kirchner · 1927 · Museum Frieder Burda
Same era · 1910s–1940s
The Indestructibles
Philip Evergood · 1946 · Art Institute of Chicago
Same era · 1910s–1940s
In the Magic Mirror
Paul Klee · 1934 · Art Institute of Chicago
Same era · 1910s–1940s
The Eye
René Magritte · 1932 · Art Institute of Chicago
Same era · 1910s–1940s
Untitled (Desert Landscape)
Salvador Dalí · 1934 · Art Institute of Chicago
Same era · 1910s–1940s
Garden Airplane-Trap
Max Ernst · 1935 · Art Institute of Chicago
Same era · 1910s–1940s
The Red Armchair
Pablo Picasso · 1931 · Art Institute of Chicago
Same era · 1910s–1940s
Two Women on the Shore
Edvard Munch · 1935 · Munch Museum
Same era · 1910s–1940s
American Gothic
Grant Wood · 1930 · Art Institute of Chicago
