“Stop to appreciate the incredible detail and dramatic tension in this engraving. A powerful lion rips into a mysterious sack, rendered with meticulous precision that highlights the artist's mastery of the medium.”
A powerful lion dominates this engraving, its muscular form captured with incredible detail as it tears into a large, bulging sack. The scene is full of dynamic tension, with the lion's claws and teeth deeply embedded, suggesting a struggle or a dramatic reveal. Look closely at the texture of the lion's mane and the way light reflects off its fur, which Stephen Gooden rendered with the fine lines characteristic of engraving. This illustration for "Peronnik the Fool" transports us into a moment of raw, untamed nature, hinting at a larger narrative. The precise, almost sculptural quality of the forms, achieved through intricate cross-hatching and stippling, gives the image a timeless, almost monumental feel, inviting contemplation of both the beast's power and the mystery of the sack's contents.
- Artist
- Stephen Gooden
- Date
- 1933
- Medium
- engraving
- Location
- Cleveland Museum of Art
- Dimensions
- [object Object]
What to Notice
Five details hide in plain sight. Here’s where to look.

The lion's intense gaze and snarling muzzle.
The detailed texture of the lion's fur and the individual strands of its mane.
The way the sack bunches and tears under the lion's claws.
The subtle shading that gives the lion's muscles their powerful definition.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Illustration for "Peronnik the Fool": A Lion Tearing at a Sack — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Stephen Gooden
1892–1955 · United KingdomMaster engraver whose St George design for Windsor Castle became the George Medal worn by British heroes.
Further Works by Gooden
The Fables of Jean de la Fontaine: The Swan and the Cook
1929 · Cleveland Museum of Art
The Swan and the Cook
1929 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": A Bill and a Wooden Block
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": A Gargoyle
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": Cock Key
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": Frontispiece
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": Peronnik the Fool
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": Redemonde on the Staircase
1933 · Cleveland Museum of Art
More works to explore
Beyond Gooden: works from the same years.
Same era · 1910s–1940s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1910s–1940s
Nude
Ivan Puni · 1931 · Art Institute of Chicago
Same era · 1910s–1940s
American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
Straße mit Passanten bei Nachtbeleuchtung
Ernst Ludwig Kirchner · 1927 · Museum Frieder Burda
Same era · 1910s–1940s
The Indestructibles
Philip Evergood · 1946 · Art Institute of Chicago
Same era · 1910s–1940s
In the Magic Mirror
Paul Klee · 1934 · Art Institute of Chicago
Same era · 1910s–1940s
The Eye
René Magritte · 1932 · Art Institute of Chicago
Same era · 1910s–1940s
Untitled (Desert Landscape)
Salvador Dalí · 1934 · Art Institute of Chicago
Same era · 1910s–1940s
Garden Airplane-Trap
Max Ernst · 1935 · Art Institute of Chicago
Same era · 1910s–1940s
The Red Armchair
Pablo Picasso · 1931 · Art Institute of Chicago
Same era · 1910s–1940s
Two Women on the Shore
Edvard Munch · 1935 · Munch Museum
Same era · 1910s–1940s
American Gothic
Grant Wood · 1930 · Art Institute of Chicago
