“This graphite drawing by Stephen Gooden captures a tense encounter between a swan and a cook with incredible detail and dramatic flair, showcasing the artist's masterful engraving skill translated to paper.”
A majestic swan, with its long neck gracefully arched, confronts a cook in a dramatic and detailed graphite drawing. The scene is full of tension, as the bird seems to recoil while the cook, a sturdy figure with a determined expression, holds a knife and a large pot. Look closely at the delicate lines that define the swan's feathers and the subtle shading that gives volume to its powerful body. The artist, Stephen Gooden, created this work in 1929, a period when he was actively illustrating fine editions of books. This drawing showcases his exceptional skill in engraving, translating a narrative moment into a visually rich composition. The precise, almost sculptural quality of the forms, rendered entirely in graphite, invites a closer look at the intricate details, from the folds in the cook's apron to the texture of the swan's plumage.
- Artist
- Stephen Gooden
- Date
- 1929
- Medium
- graphite
- Location
- Cleveland Museum of Art
- Dimensions
- [object Object]
- Collection
- Drawings
- Culture
- England, 20th century
- Credit line
- Gift of The Print Club of Cleveland
What to Notice
Four details hide in plain sight. Here’s where to look.

The intricate feather patterns on the swan's wing and tail.
The cook's intense gaze and the firm grip on the knife.
The steam rising from the large pot on the stove.
The detailed texture of the wooden floorboards.
Stand in front of it and listen
The full narration walks you through The Swan and the Cook — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Stephen Gooden
1892–1955 · United KingdomMaster engraver whose St George design for Windsor Castle became the George Medal worn by British heroes.
Further Works by Gooden
The Fables of Jean de la Fontaine: The Swan and the Cook
1929 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": A Bill and a Wooden Block
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": A Gargoyle
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": A Lion Tearing at a Sack
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": Cock Key
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": Frontispiece
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": Peronnik the Fool
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": Redemonde on the Staircase
1933 · Cleveland Museum of Art
More works to explore
Beyond Gooden: works from the same years.
Same era · 1910s–1940s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1910s–1940s
Into the World There Came a Soul Called Ida
Ivan Puni · 1929 · Art Institute of Chicago
Same era · 1910s–1940s
American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
Straße mit Passanten bei Nachtbeleuchtung
Ernst Ludwig Kirchner · 1927 · Museum Frieder Burda
Same era · 1910s–1940s
Fleeing Ghost
Paul Klee · 1929 · Art Institute of Chicago
Same era · 1910s–1940s
Abstraction: Background with Blue Cloudy Sky
Pablo Picasso · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
American Gothic
Grant Wood · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
The Circus Rider
Marc Chagall · 1927 · Art Institute of Chicago
Same era · 1910s–1940s
Lemons on a Pewter Plate
Henri Matisse · 1926 · Art Institute of Chicago
Same era · 1910s–1940s
The Eye
René Magritte · 1932 · Art Institute of Chicago
Same era · 1910s–1940s
The Blue Forest
Max Ernst · 1925 · Art Institute of Chicago
Same era · 1910s–1940s
Untitled (Desert Landscape)
Salvador Dalí · 1934 · Art Institute of Chicago
