“This engraving of a gargoyle isn't just a decorative piece; it's a character from a fantasy novel, brought to life with meticulous detail, inviting you to imagine its story within the pages it once illustrated.”
A monstrous face emerges from the stone, contorted in a silent scream. This isn't just a decorative element, but a character: a gargoyle from the fantastical world of Anatole France's "Peronnik the Fool." The engraving captures the creature's grotesque features with a precision that makes the stone seem almost alive, its eyes bulging, its mouth agape. The intricate lines and deep shadows bring out the texture of the weathered rock, suggesting centuries of exposure to the elements. This image was created as an illustration for a specific edition of the novel, reflecting the early 20th-century fascination with detailed, imaginative book art. It invites viewers to consider the power of illustration to bring literary descriptions to vivid, tangible life, transforming a textual monster into a visual presence.
- Artist
- Stephen Gooden
- Date
- 1933
- Medium
- engraving
- Location
- Cleveland Museum of Art
- Dimensions
- [object Object]
What to Notice
Five details hide in plain sight. Here’s where to look.

The deep shadows carved into the stone, giving the gargoyle its formidable presence.
The intricate lines defining the weathered texture of the stone.
The bulging eyes and wide-open mouth, suggesting a silent, eternal cry.
The small, almost imperceptible details that make the creature seem alive.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Illustration for "Peronnik the Fool": A Gargoyle — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Stephen Gooden
1892–1955 · United KingdomMaster engraver whose St George design for Windsor Castle became the George Medal worn by British heroes.
Further Works by Gooden
The Fables of Jean de la Fontaine: The Swan and the Cook
1929 · Cleveland Museum of Art
The Swan and the Cook
1929 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": A Bill and a Wooden Block
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": A Lion Tearing at a Sack
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": Cock Key
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": Frontispiece
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": Peronnik the Fool
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": Redemonde on the Staircase
1933 · Cleveland Museum of Art
More works to explore
Beyond Gooden: works from the same years.
Same era · 1910s–1940s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1910s–1940s
Nude
Ivan Puni · 1931 · Art Institute of Chicago
Same era · 1910s–1940s
American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
Straße mit Passanten bei Nachtbeleuchtung
Ernst Ludwig Kirchner · 1927 · Museum Frieder Burda
Same era · 1910s–1940s
The Indestructibles
Philip Evergood · 1946 · Art Institute of Chicago
Same era · 1910s–1940s
In the Magic Mirror
Paul Klee · 1934 · Art Institute of Chicago
Same era · 1910s–1940s
The Eye
René Magritte · 1932 · Art Institute of Chicago
Same era · 1910s–1940s
Untitled (Desert Landscape)
Salvador Dalí · 1934 · Art Institute of Chicago
Same era · 1910s–1940s
Garden Airplane-Trap
Max Ernst · 1935 · Art Institute of Chicago
Same era · 1910s–1940s
The Red Armchair
Pablo Picasso · 1931 · Art Institute of Chicago
Same era · 1910s–1940s
Two Women on the Shore
Edvard Munch · 1935 · Munch Museum
Same era · 1910s–1940s
American Gothic
Grant Wood · 1930 · Art Institute of Chicago
