“This engraving captures a whimsical moment from a classic tale, showcasing the artist's meticulous skill in rendering intricate details and textures through the precise lines of copper engraving.”
A rooster, perched precariously on a large, ornate key, dominates this detailed engraving. Its feathers are rendered with a delicate precision, contrasting with the solid, almost architectural form of the key. The scene illustrates a moment from "Peronnik the Fool," a fantastical tale by George Moore, where a magical key plays a pivotal role. The intricate lines and careful shading typical of engraving create a sense of depth and texture, making the rooster's plumage feel almost tangible and the metal key gleam. This work, created in 1933, reflects a period when fine press books, often featuring such elaborate illustrations, were highly valued. The artist, Stephen Gooden, was elected a fellow of the Royal Society of Painter-Etchers and Engravers in the same year this piece was made, recognizing his skill in this demanding medium.
- Artist
- Stephen Gooden
- Date
- 1933
- Medium
- engraving
- Location
- Cleveland Museum of Art
- Dimensions
- [object Object]
What to Notice
Four details hide in plain sight. Here’s where to look.

The rooster's detailed feathers, especially on its tail and neck.
The intricate patterns and decorative elements on the key.
The subtle shading that gives the key a metallic sheen.
The delicate cross-hatching used to create depth in the background.
Stand in front of it and listen
The full narration walks you through Illustration for "Peronnik the Fool": Cock Key — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Stephen Gooden
1892–1955 · United KingdomMaster engraver whose St George design for Windsor Castle became the George Medal worn by British heroes.
Further Works by Gooden
The Fables of Jean de la Fontaine: The Swan and the Cook
1929 · Cleveland Museum of Art
The Swan and the Cook
1929 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": A Bill and a Wooden Block
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": A Gargoyle
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": A Lion Tearing at a Sack
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": Frontispiece
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": Peronnik the Fool
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": Redemonde on the Staircase
1933 · Cleveland Museum of Art
More works to explore
Beyond Gooden: works from the same years.
Same era · 1910s–1940s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1910s–1940s
Nude
Ivan Puni · 1931 · Art Institute of Chicago
Same era · 1910s–1940s
American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
Straße mit Passanten bei Nachtbeleuchtung
Ernst Ludwig Kirchner · 1927 · Museum Frieder Burda
Same era · 1910s–1940s
The Indestructibles
Philip Evergood · 1946 · Art Institute of Chicago
Same era · 1910s–1940s
In the Magic Mirror
Paul Klee · 1934 · Art Institute of Chicago
Same era · 1910s–1940s
The Eye
René Magritte · 1932 · Art Institute of Chicago
Same era · 1910s–1940s
Untitled (Desert Landscape)
Salvador Dalí · 1934 · Art Institute of Chicago
Same era · 1910s–1940s
Garden Airplane-Trap
Max Ernst · 1935 · Art Institute of Chicago
Same era · 1910s–1940s
The Red Armchair
Pablo Picasso · 1931 · Art Institute of Chicago
Same era · 1910s–1940s
Two Women on the Shore
Edvard Munch · 1935 · Munch Museum
Same era · 1910s–1940s
American Gothic
Grant Wood · 1930 · Art Institute of Chicago
