“This engraving captures a tense moment from a classic fable, showcasing the artist's extraordinary precision and ability to convey drama through intricate detail. Notice the stark contrast and the delicate lines that bring the story to life.”
In this intricate engraving by Stephen Gooden, a swan, its neck elegantly curved, faces a cook who stands ready with a knife. The scene illustrates one of Jean de la Fontaine's fables, where a cook mistakes a swan for a goose until the swan's song reveals its true identity, saving it from the pot. Gooden's meticulous hand renders every feather and fold of fabric with remarkable precision, creating a sense of quiet drama. The composition, with its stark contrasts and delicate lines, draws the viewer into a moment of suspended action and impending fate. This work, created in 1929, reflects a period when artists often turned to literary sources for inspiration, translating classic narratives into visual form through the exacting medium of engraving.
- Artist
- Stephen Gooden
- Date
- 1929
- Medium
- engraving
- Location
- Cleveland Museum of Art
- Dimensions
- [object Object]
What to Notice
Four details hide in plain sight. Here’s where to look.

The detailed texture of the swan's feathers.
The cook's expression and the knife he holds.
The subtle pattern on the cook's apron.
The delicate cross-hatching that creates shadows.
Stand in front of it and listen
The full narration walks you through The Fables of Jean de la Fontaine: The Swan and the Cook — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Stephen Gooden
1892–1955 · United KingdomMaster engraver whose St George design for Windsor Castle became the George Medal worn by British heroes.
Further Works by Gooden
The Swan and the Cook
1929 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": A Bill and a Wooden Block
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": A Gargoyle
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": A Lion Tearing at a Sack
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": Cock Key
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": Frontispiece
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": Peronnik the Fool
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": Redemonde on the Staircase
1933 · Cleveland Museum of Art
More works to explore
Beyond Gooden: works from the same years.
Same era · 1910s–1940s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1910s–1940s
Into the World There Came a Soul Called Ida
Ivan Puni · 1929 · Art Institute of Chicago
Same era · 1910s–1940s
American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
Straße mit Passanten bei Nachtbeleuchtung
Ernst Ludwig Kirchner · 1927 · Museum Frieder Burda
Same era · 1910s–1940s
Fleeing Ghost
Paul Klee · 1929 · Art Institute of Chicago
Same era · 1910s–1940s
Abstraction: Background with Blue Cloudy Sky
Pablo Picasso · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
American Gothic
Grant Wood · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
The Circus Rider
Marc Chagall · 1927 · Art Institute of Chicago
Same era · 1910s–1940s
Lemons on a Pewter Plate
Henri Matisse · 1926 · Art Institute of Chicago
Same era · 1910s–1940s
The Eye
René Magritte · 1932 · Art Institute of Chicago
Same era · 1910s–1940s
The Blue Forest
Max Ernst · 1925 · Art Institute of Chicago
Same era · 1910s–1940s
Untitled (Desert Landscape)
Salvador Dalí · 1934 · Art Institute of Chicago
