“This intricate engraving, designed as a title page for Aesop's Fables, invites you into a world where animals embody human virtues and vices. Its meticulous detail and symbolic imagery make it a captivating example of book illustration from the 1930s.”
A fantastical menagerie of animals, both real and mythical, crowds the title page for Aesop's Fables, an engraving from 1936. At the center, a regal lion, king of beasts, stands on its hind legs, holding a shield emblazoned with a fox. This central image is framed by an elaborate border of swirling foliage and smaller scenes. Look closely at the bottom, where a fox, a crane, and a wolf are depicted in vignettes, illustrating the moralizing tales within the book. The meticulous detail in the fur of the animals and the intricate patterns of the leaves showcases the precision of the engraving technique. This work, created by Stephen Gooden, was designed for a special edition of the classic fables, reflecting a tradition of finely illustrated books in the early 20th century.
- Artist
- Stephen Gooden
- Date
- 1936
- Medium
- engraving
- Location
- Cleveland Museum of Art
- Dimensions
- [object Object]
- Collection
- Prints
- Culture
- England, 20th century
- Credit line
- Gift of Carole W. and Charles B. Rosenblatt
What to Notice
Four details hide in plain sight. Here’s where to look.

The lion’s powerful stance and detailed mane.
The fox on the shield, a key character in Aesop’s tales.
The tiny vignettes at the bottom depicting other fable characters.
The delicate, almost lace-like quality of the surrounding foliage.
Stand in front of it and listen
The full narration walks you through Title Page — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Stephen Gooden
1892–1955 · United KingdomMaster engraver whose St George design for Windsor Castle became the George Medal worn by British heroes.
Further Works by Gooden
The Fables of Jean de la Fontaine: The Swan and the Cook
1929 · Cleveland Museum of Art
The Swan and the Cook
1929 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": A Bill and a Wooden Block
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": A Gargoyle
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": A Lion Tearing at a Sack
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": Cock Key
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": Frontispiece
1933 · Cleveland Museum of Art
Illustration for "Peronnik the Fool": Peronnik the Fool
1933 · Cleveland Museum of Art
More works to explore
Beyond Gooden: works from the same years.
Same era · 1920s–1950s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1920s–1950s
Deux personnages
Pierre Alechinsky · 1950
Same era · 1920s–1950s
Nude
Ivan Puni · 1931 · Art Institute of Chicago
Same era · 1920s–1950s
American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same era · 1920s–1950s
Straße mit Passanten bei Nachtbeleuchtung
Ernst Ludwig Kirchner · 1927 · Museum Frieder Burda
Same era · 1920s–1950s
The Indestructibles
Philip Evergood · 1946 · Art Institute of Chicago
Same era · 1920s–1950s
A Chemist Lifting with Extreme Precaution the Cuticle of a Grand Piano
Salvador Dalí · 1936 · Art Institute of Chicago
Same era · 1920s–1950s
Woman at an Easel (Green Screen)
Georges Braque · 1936 · Art Institute of Chicago
Same era · 1920s–1950s
Garden Airplane-Trap
Max Ernst · 1935 · Art Institute of Chicago
Same era · 1920s–1950s
On the Threshold of Liberty
René Magritte · 1937 · Art Institute of Chicago
Same era · 1920s–1950s
Two Women on the Shore
Edvard Munch · 1935 · Munch Museum
Same era · 1920s–1950s
Women Harvesting
Paul Klee · 1937 · Art Institute of Chicago
