“This powerful lithograph captures a poignant scene from Goethe's play, showing the wounded knight Götz being cared for by his loyal Bohemian allies. It's a striking example of Romantic art, full of emotion and dramatic contrasts.”
In this dramatic lithograph, a wounded knight, Götz, is tenderly cared for by a group of Bohemians. The scene is full of movement and emotion, drawing from Johann Wolfgang von Goethe's play, Götz of Berlichingen, a work that deeply interested the artist. You can see the knight, his face etched with pain, being supported by several figures, their expressions a mix of concern and reverence. The artist uses the stark contrast of black and white, typical of lithography, to heighten the drama, with deep shadows emphasizing the figures and their plight. This print, made in 1836, captures a moment of vulnerability and unexpected compassion, highlighting the loyalty of the Bohemians who declared their allegiance to Götz. The work exemplifies the Romantic ideal of intense feeling and narrative power, bringing a literary scene to vivid visual life.
- Artist
- Eugène Delacroix
- Date
- 1836
- Medium
- Lithograph in black with scrapping on stone, on thin off-white paper laid down on thick ivory wove paper (chine colle')
- Location
- Art Institute of Chicago
- Dimensions
- Image: 30.4 × 23 cm (12 × 9 1/16 in.); Sheet: 35.7 × 27 cm (14 1/16 × 10 11/16 in.)
- Collection
- Prints and Drawings
- Culture
- France
- Credit line
- Clarence Buckingham Collection
What to Notice
Five details hide in plain sight. Here’s where to look.

The knight's pained expression and slumped posture.
The varied expressions of concern on the faces of the Bohemians.
The intricate details of the knight's armor and the figures' clothing.
The dramatic play of light and shadow, creating depth and mood.
1 more detail is waiting.
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Eugène Delacroix
1798–1863 · FranceFrench Romantic master whose 'Lion Hunt' and exotic scenes revolutionized color and movement in 19th-century art.
Further Works by Delacroix
The Combat of the Giaour and Hassan
1826 · Art Institute of Chicago
Arab Horseman Attacked by a Lion
1849 · Art Institute of Chicago
Male Academy Figure: Half-Length, Side View
1819 · Karen B. Cohen Collection
Hamlet and Horatio in the Graveyard
1839 · Department of Paintings of the Louvre
Lion Hunt
1858 · Museum of Fine Arts Boston
Jane Shore
1828 · Art Institute of Chicago
Sheet of Sketches
1826 · Art Institute of Chicago
Mephistopheles Appearing to Faust
1828 · Art Institute of Chicago
More from Romanticism
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Same era · 1820s–1850s
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J. M. W. Turner · 1835 · National Gallery
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Same era · 1820s–1850s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same movement · Academic art
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Same era · 1820s–1850s
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Same movement · Academic art
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Leonardo da Vinci · 1503 · Department of Paintings of the Louvre
Same era · 1820s–1850s
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Same era · 1820s–1850s
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Gustave Courbet · 1848 · Art Institute of Chicago
Same era · 1820s–1850s
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William Hart · 1850
Same era · 1820s–1850s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1820s–1850s
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Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1820s–1850s
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Alfred Henry Forrester [Alfred Crowquill] · 1845 · The Metropolitan Museum of Art
Same era · 1820s–1850s
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Same era · 1820s–1850s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art




