The Seed of the Areoi by Paul Gauguin

The Seed of the Areoi

Paul Gauguin · 1892

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“This painting invites you into a vibrant, enigmatic world. Look closely at the reclining woman and the figures in the background to uncover a scene rich with color and symbolic meaning, painted on an unexpected material.”

ABOUT THIS WORK

In this painting, a young Tahitian woman, her body painted with red designs, reclines on a patterned cloth, gazing out at us with a direct, almost challenging expression. Her pose is both relaxed and regal, framed by vibrant, flattened forms. Behind her, two figures appear to be conversing in a shallow, turquoise pool, their forms simplified and almost abstract. The title, "The Seed of the Areoi," refers to a Polynesian society whose members were known for their artistic and sexual freedom. Gauguin, who painted this work in 1892, used a rough hessian canvas, a material more commonly associated with sacking than fine art, which contributes to the painting's raw, earthy texture and emphasizes the exotic subject matter. The bold outlines and intense, non-naturalistic colors create a dreamlike atmosphere, pulling us into a scene that feels both ancient and deeply personal.

DETAILS
Artist
Paul Gauguin
Date
1892
Medium
Oil, Hessian
Location
Museum of Modern Art
ART MOVEMENTS
LOOK CLOSER

What to Notice

Five details hide in plain sight. Here’s where to look.

The Seed of the Areoi
01

The red body paint on the woman, suggesting ritual or ornamentation.

02

The patterned cloth beneath her, almost blending with the background.

03

The two figures in the turquoise pool behind the woman.

04

The flattened, almost two-dimensional quality of the forms.

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THE ARTIST

Paul Gauguin

1848–1903 · France

Paul Gauguin, the French Post-Impressionist, abandoned a stockbroker's life for art, famously seeking 'refuge from Western civilization' in Tahiti.

Read Gauguin’s full story
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Beyond Gauguin and Symbolism: works from the same years, and from the other movements The Seed of the Areoi belongs to.

Equestrienne (At the Cirque Fernando) Same movement · Post-Impressionism Equestrienne (At the Cirque Fernando) Henri de Toulouse-Lautrec · 1887 · Art Institute of Chicago A Woman Walking in a Garden Same era · 1870s–1900s A Woman Walking in a Garden Vincent van Gogh · 1887 · Frans Buffa & sons Carmelina Same movement · Post-Impressionism Carmelina Henri Matisse · 1903 · Museum of Fine Arts Boston A Sunday on La Grande Jatte — 1884 Same era · 1870s–1900s A Sunday on La Grande Jatte — 1884 Okada Saburosuke · 1884 · Art Institute of Chicago The Old Guitarist Same movement · Post-Impressionism The Old Guitarist Pablo Picasso · 1903 · Art Institute of Chicago Still Life with Crayfish Same era · 1870s–1900s Still Life with Crayfish Mikhail Larionov · 1900 · Museum Ludwig After the Bullfight Same movement · Impressionism After the Bullfight Mary Cassatt · 1873 · Art Institute of Chicago Madame Léon Clapisson Same era · 1870s–1900s Madame Léon Clapisson Léon-Victor Dupré · 1883 · Art Institute of Chicago
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