The Cardinal Pacca by Jacques-Louis David

The Cardinal Pacca

Jacques-Louis David · 1760

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“This powerful black chalk portrait of Cardinal Pacca offers a direct, unvarnished glimpse into the Neoclassical style, revealing a man of intellect and authority through stark lines and subtle shading.”

ABOUT THIS WORK

In this striking black chalk drawing, Cardinal Bartolomeo Pacca is captured with an intense, almost severe expression. His profile, rendered with sharp lines and subtle shading, suggests a man of formidable character and intellect. The artist uses the starkness of black chalk to emphasize the contours of Pacca's face and the folds of his clerical attire, giving the portrait a sense of gravitas and immediacy. This drawing, created around 1760, reflects the Neoclassical preference for clarity and idealized form, even in a preparatory sketch. The careful attention to Pacca's individual features, from his aquiline nose to the firm set of his jaw, conveys a powerful presence. It's a testament to the artist's skill in capturing not just a likeness, but the very essence of his sitter, using minimal means.

DETAILS
Artist
Jacques-Louis David
Date
1760
Medium
Black chalk
Location
The Metropolitan Museum of Art
Dimensions
6 15/16 x 5 1/8 in. (17.6 x 13 cm.)
Collection
Drawings and Prints
Credit line
Bequest of Walter C. Baker, 1971
ART MOVEMENTS
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What to Notice

Five details hide in plain sight. Here’s where to look.

The Cardinal Pacca
01

The sharp, defined line of the cardinal's nose and chin.

02

The subtle shading that gives depth to his cheekbone.

03

The precise folds of his clerical collar.

04

The intense, focused gaze of his eye.

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THE ARTIST

Jacques-Louis David

1748–1825 · France

David survived revolution, prison, and exile to paint Napoleon's glory — and still died the most influential artist in France.

Read David’s full story
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Beyond David and Academic art: works from the same years, and from the other movements The Cardinal Pacca belongs to.

Amédée-David, the Comte de Pastoret Same movement · Neoclassicism Amédée-David, the Comte de Pastoret Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago Portrait of Madame Anne-Jeanne Cassanéa de Mondonville, née Boucon (1708-1780) Same era · 1740s–1770s Portrait of Madame Anne-Jeanne Cassanéa de Mondonville, née Boucon (1708-1780) Maurice Quentin de Latour · 1752 · Art Institute of Chicago Design for a Lampas Silk with a Triumphal Chariot on a Cloud Same era · 1740s–1770s Design for a Lampas Silk with a Triumphal Chariot on a Cloud Philippe de la Salle · 1765 · The Metropolitan Museum of Art Thomas Hurnard (1711/1712–1753), Mayor of Norwich (1752) Same era · 1740s–1770s Thomas Hurnard (1711/1712–1753), Mayor of Norwich (1752) John Theodore Heins · 1754 · Norfolk Museums Collections Portrait of a Lady Same era · 1740s–1770s Portrait of a Lady John Smart of Ipswich · 1773 · Yale Center for British Art Medal cabinet Same era · 1740s–1770s Medal cabinet William Vile · 1760 · The Metropolitan Museum of Art Hot milk jug Same era · 1740s–1770s Hot milk jug Höchst Manufactory · 1770 · The Metropolitan Museum of Art Pair of Side Chairs Same era · 1740s–1770s Pair of Side Chairs Artist Unknown - The Mercat Cross, Aberdeen · 1770 · Art Institute of Chicago
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