“Stop for this vibrant pastel portrait of a prominent 18th-century musician, captured with remarkable immediacy and detail, reportedly in just one sitting. Her direct gaze and the luminous quality of the pastel make her feel remarkably present.”
A direct gaze meets yours from this striking pastel portrait of Madame Anne-Jeanne Cassanéa de Mondonville, a noted musician and daughter of a prominent art collector. Her expression is both composed and spirited, a testament to the artist's ability to capture personality. Notice the delicate blush on her cheeks and the subtle shift in her eyes, suggesting a moment of lively engagement. The work was created in 1752, a time when pastel was gaining popularity for its ability to render soft, lifelike textures and vibrant colors quickly. This medium, essentially pure pigment, allows for a luminous quality, particularly evident in the way light plays across her powdered hair and the rich fabric of her dress. The portrait is said to have been completed in a single sitting, an impressive feat given its complexity and powerful presence, before a dispute over payment strained the friendship between artist and sitter.
- Artist
- Maurice Quentin de Latour
- Date
- 1752
- Medium
- Pastel on blue-gray laid paper, laid down on canvas and wrapped around a strainer, enlarged by the artist with a band of paper about 3 cm high
- Location
- Art Institute of Chicago
- Dimensions
- 66 × 55 cm (26 × 21 11/16 in.)
- Collection
- Prints and Drawings
- Culture
- France
- Credit line
- Charles H. and Mary F. S. Worcester Collection
What to Notice
Five details hide in plain sight. Here’s where to look.

The delicate lace trim on her bodice, rendered with remarkable detail.
The subtle sheen on her pearls, catching the light.
The way her powdered hair frames her face, creating a soft halo.
The texture of her blue-gray dress, suggesting luxurious fabric.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Portrait of Madame Anne-Jeanne Cassanéa de Mondonville, née Boucon (1708-1780) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Further Works by de Latour
More works to explore
Beyond de Latour: works from the same years.
Same era · 1730s–1760s
Richard Walker (1679–1764), Vice-Master and Horticulturist
John Theodore Heins · 1751 · Trinity College
Same era · 1730s–1760s
Design for a Lampas Silk with a Triumphal Chariot on a Cloud
Philippe de la Salle · 1765 · The Metropolitan Museum of Art
Same era · 1730s–1760s
Flying Figure Holding a Crown, Reclining River God
Jacques-Louis David · 1760 · The Metropolitan Museum of Art
Same era · 1730s–1760s
Side Chair
Artist Unknown - The Mercat Cross, Aberdeen · 1750 · Art Institute of Chicago
Same era · 1730s–1760s
Medal cabinet
William Vile · 1760 · The Metropolitan Museum of Art
Same era · 1730s–1760s
Winged Figure
Stefano Mulinari · 1750 · The Metropolitan Museum of Art
Same era · 1730s–1760s
Hunter with Hounds
Höchster Porzellan-Manufaktur · 1755 · The Metropolitan Museum of Art
Same era · 1730s–1760s
Image of an Empire in Peace and Prosperity
Zhou Kun · 1745 · National Palace Museum
Same era · 1730s–1760s
Landscape
William Wooller · 1763 · Cleveland Museum of Art
Same era · 1730s–1760s
View of Ponte Lugano on the Anio, from Views of Rome
Giovanni Battista Piranesi · 1763 · Art Institute of Chicago
Same era · 1730s–1760s
the swing
Jean-Honoré Fragonard · 1767 · Wallace Collection

