“Stop to appreciate this portrait of Thomas Hurnard, Mayor of Norwich, by John Theodore Heins. It offers a vivid glimpse into 18th-century civic dignity, captured through meticulous detail and a direct gaze.”
In this portrait, Thomas Hurnard, Mayor of Norwich in 1752, gazes out with an air of quiet authority. His wig is meticulously powdered, and his mayoral robes, rich in fabric and detail, suggest his civic status. The artist, John Theodore Heins, was active in Norwich from around 1720 and became a prominent local portraitist. He frequently depicted the city's civic dignitaries, and this work, painted two years after Hurnard's mayoral term, captures the period's preference for formal, yet engaging, representation. The painting is a fine example of how Heins captured the likeness and character of his sitters, using subtle shifts in light and shadow to model the face and emphasize the texture of the clothing. The overall impression is one of dignity and the quiet power of public office in mid-18th century England.
- Artist
- John Theodore Heins
- Date
- 1754
- Medium
- Oil on canvas
- Location
- Norfolk Museums Collections
What to Notice
Five details hide in plain sight. Here’s where to look.

The intricate lace at Hurnard's cuffs and jabot.
The texture of the red mayoral robes, suggesting velvet or heavy silk.
The subtle sheen on the powdered wig, indicating its careful styling.
The faint lines around Hurnard's eyes, hinting at his age and experience.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Thomas Hurnard (1711/1712–1753), Mayor of Norwich (1752) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
John Theodore Heins
1697–1756 · United KingdomJohn Theodore Heins was a prolific portrait painter who dominated Norwich's civic art scene for over a decade in the 18th century.
Further Works by Heins
The Death of Thomas Guy
1737 · Norfolk Museums Collections
Thomas Guy Counting His Money
1737 · Norfolk Museums Collections
Christopher Amiraut
1739 · Norfolk Museums Collections
Samuel Bradford (1652–1731), Master (1716–1724), Bishop of Rochester (1723–1731)
1729 · Corpus Christi College
Family Group on a Terrace
1730 · Art Institute of Chicago
John Gainsborough (1711–1772)
1731 · Gainsborough's House
Thomas Gainsborough (1709–1739)
1731 · Gainsborough's House
Isabella Astley (1724-1741), aged eight
1732 · National Trust
More works to explore
Beyond Heins: works from the same years.
Same era · 1730s–1760s
Head of a Child
Jacques-Louis David · 1768 · The Metropolitan Museum of Art
Same era · 1730s–1760s
Portrait of Madame Anne-Jeanne Cassanéa de Mondonville, née Boucon (1708-1780)
Maurice Quentin de Latour · 1752 · Art Institute of Chicago
Same era · 1730s–1760s
Design for a Lampas Silk with a Triumphal Chariot on a Cloud
Philippe de la Salle · 1765 · The Metropolitan Museum of Art
Same era · 1730s–1760s
Side Chair
Artist Unknown - The Mercat Cross, Aberdeen · 1750 · Art Institute of Chicago
Same era · 1730s–1760s
Medal cabinet
William Vile · 1760 · The Metropolitan Museum of Art
Same era · 1730s–1760s
Hunter with Hounds
Höchster Porzellan-Manufaktur · 1755 · The Metropolitan Museum of Art
Same era · 1730s–1760s
Christ standing before an entrance to a city surrounded by apostles addressing a group of men at right
Stefano Mulinari · 1756 · The Metropolitan Museum of Art
Same era · 1730s–1760s
Image of an Empire in Peace and Prosperity
Zhou Kun · 1745 · National Palace Museum
Same era · 1730s–1760s
Landscape
William Wooller · 1763 · Cleveland Museum of Art
Same era · 1730s–1760s
View of Ponte Lugano on the Anio, from Views of Rome
Giovanni Battista Piranesi · 1763 · Art Institute of Chicago
Same era · 1730s–1760s
the swing
Jean-Honoré Fragonard · 1767 · Wallace Collection
