“This iconic equestrian portrait by Jacques-Louis David presents an idealized Napoleon, dramatically crossing the Alps to lead his army, a powerful image of leadership that has shaped our view of the historical figure.”
Here, Napoleon Bonaparte rears up on horseback, a dramatic, idealized vision of leadership. This painting, the first in a series of five commissioned by the King of Spain, captures the moment Napoleon led his army across the Great St Bernard Pass in May 1800. The scene is far grander than the reality of the crossing, which Napoleon likely made on a mule. Instead, David presents him as a heroic figure, a classical general guiding his troops through a formidable Alpine landscape. The work exemplifies the Neoclassical style, with its emphasis on classical forms and themes, but also hints at the emerging Romanticism in its theatricality and emotional intensity. It was created at a time when David, a former supporter of the French Revolution, had aligned himself with Napoleon, becoming a key artistic voice for the new consulate.
- Artist
- Jacques-Louis David
- Date
- 1800
- Medium
- Oil on canvas
- Location
- Musée national de Malmaison et Bois-Préau
What to Notice
Five details hide in plain sight. Here’s where to look.

Napoleon's windswept cloak, mirroring the horse's mane and tail
The names carved into the rocks: Napoleon, Hannibal, and Charlemagne
The subtle French flag carried by the soldiers in the background
The contrast between the stormy sky and Napoleon's calm, determined face
1 more detail is waiting.
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Jacques-Louis David
1748–1825 · FranceDavid survived revolution, prison, and exile to paint Napoleon's glory — and still died the most influential artist in France.
Further Works by David
Andromache Mourning Hector
1783 · Pushkin Museum of Fine Arts
Head of a Child
1768 · The Metropolitan Museum of Art
Madame François Buron
1769 · Art Institute of Chicago
Patroclus
1780 · Musée Thomas-Henry
Young Woman with a Turban
1780 · Cleveland Museum of Art
Portrait of Charles-Pierre Pécoul
1784 · Department of Paintings of the Louvre
Portrait of Madame Charles-Pierre Pecoul
1784 · Department of Paintings of the Louvre
The Lictors Bringing Brutus the Bodies of his Sons
1787 · The Metropolitan Museum of Art
More from Academic art
More works to explore
Beyond David and Academic art: works from the same years, and from the other movements Napoleon Crossing the Alps belongs to.
Same movement · Neoclassicism
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1780s–1810s
Dolbadarn Castle
J. M. W. Turner · 1800 · National Library of Wales
Same era · 1780s–1810s
The Monk by the Sea
Caspar David Friedrich · 1800 · Alte Nationalgalerie
Same era · 1780s–1810s
The Third of May 1808
Francisco Goya · 1814 · Museo del Prado
Same era · 1780s–1810s
Samuel Fisher Bradford
Rembrandt Peale · 1803 · Art Institute of Chicago
Same era · 1780s–1810s
Mrs Jackson
Thomas Stewardson · 1800 · Abbot Hall Art Gallery
Same era · 1780s–1810s
John Blake (1770–1810), Mayor of Maidstone (1799)
Samuel Drummond · 1799 · Maidstone Museum and Bentlif Art Gallery
Same era · 1780s–1810s
Winchester from the South
Tobias Young · 1803 · Winchester Guildhall
Same era · 1780s–1810s
Cilgerran Castle
William Havell · 1805 · National Museum Cardiff
Same era · 1780s–1810s
Milton Dictating to His Daughter
Henry Fuseli · 1794 · Art Institute of Chicago
Same era · 1780s–1810s
Boy with an axe
Vasily Andreevich Tropinin · 1810 · Belarusian National Arts Museum
Same era · 1780s–1810s
Portrait of a Man
Benjamin West · 1790 · Art Institute of Chicago
Same era · 1780s–1810s
Mrs John Smart I
John Smart of Ipswich · 1785 · Dulwich Picture Gallery




