“Stop and admire the exquisite detail in this miniature portrait, painted on ivory. It offers a glimpse into 18th-century fashion and the personal, intimate art cherished in its time.”
This miniature portrait, painted on a thin slice of ivory, captures a young woman with a direct gaze, her expression composed and serene. Her powdered hair is styled high, a fashionable look of the late 18th century, adorned with a delicate ribbon. The artist has used watercolor and gouache to render the subtle blush in her cheeks and the soft folds of her white dress, creating a sense of intimacy and refinement. The smooth, luminous surface of the ivory enhances the delicate quality of the painting, making the sitter's features appear almost ethereal. This intimate scale was popular for personal keepsakes, often worn as jewelry or kept in small cases, allowing a loved one to carry an image of family or friends close at hand.
- Artist
- John Smart of Ipswich
- Date
- 1773
- Medium
- Watercolor, Gouache, Ivory
- Location
- Yale Center for British Art
What to Notice
Five details hide in plain sight. Here’s where to look.

The delicate pink ribbon woven into her powdered hair.
The subtle translucence of her white dress, painted with watercolor.
The tiny, precise brushstrokes that define her facial features.
The way the ivory glows through the paint, especially in her complexion.
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John Smart of Ipswich
1756–1813British miniaturist whose delicate portraits captured Georgian society with jewel-like precision
Further Works by Ipswich
Captain William Ivory
1780 · Colchester and Ipswich Museums Service
Elizabeth Ivory (née Fonnereau)
1780 · Colchester and Ipswich Museums Service
Mrs John Smart I
1785 · Dulwich Picture Gallery
Miss Planner
1820 · Dulwich Picture Gallery
Portrait of a Lady
1781 · National Museum of Ancient Art
Portrait of a Lady
1782 · Cincinnati Art Museum
Self-portrait
Nationalmuseum
Self Portrait
1787 · Dulwich Picture Gallery
More works to explore
Beyond Ipswich: works from the same years.
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Philippe de la Salle · 1765 · The Metropolitan Museum of Art
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Louis-Philippe-Joseph, Duke of Orleans 'Philippe Egalité' (1747-1793) (after Sir Joshua Reynolds)
Samuel Drummond · 1785 · National Trust
Same era · 1750s–1780s
Self-Portrait
Francisco Goya · 1783 · Musée des Beaux-Arts d'Agen
Same era · 1750s–1780s
John Jehu, L'Inghilterra
James Bretherton · 1772 · The Metropolitan Museum of Art
Same era · 1750s–1780s
A young girl walks towards the left with one infant on her shoulder and holding another small child's hand, while two children walk at right with a torch and a basket
Luca Cambiaso · 1775 · The Metropolitan Museum of Art
Same era · 1750s–1780s
Hot milk jug
Höchst Manufactory · 1770 · The Metropolitan Museum of Art
Same era · 1750s–1780s
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Artist Unknown - The Mercat Cross, Aberdeen · 1770 · Art Institute of Chicago
Same era · 1750s–1780s
The Right Honorable Henry Fox, Lord Holland
William Hogarth · 1782 · The Metropolitan Museum of Art
Same era · 1750s–1780s
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William Vile · 1760 · The Metropolitan Museum of Art
Same era · 1750s–1780s
Sappho embracing Love
John Mannin · 1786 · The Metropolitan Museum of Art
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Fan
Benjamin West · 1775 · Art Institute of Chicago
