Flagellation of Christ by Stefano Mulinari

Flagellation of Christ

Stefano Mulinari · 1760

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“This powerful etching uses dramatic light and shadow to depict the flagellation of Christ, drawing you into a scene of intense suffering and emotional depth. It's a striking example of 18th-century religious printmaking.”

ABOUT THIS WORK

In this dramatic etching, Christ stands bound to a column, his body illuminated against a dark, shadowy background as he endures the flagellation. Two figures, their faces obscured in shadow or turned away, raise whips, poised to strike. The scene is rendered with a stark contrast between light and dark, a technique known as chiaroscuro, which intensifies the emotional impact of the moment. The brown ink and aquatint medium lend a warm, almost sepia tone to the print, evoking a sense of age and solemnity. This work, created around 1760, captures the raw emotion and suffering central to the narrative, drawing the viewer into the sacred drama. The artist, Stefano Mulinari, was active in the latter half of the 18th century, and his work often explored religious themes.

DETAILS
Artist
Stefano Mulinari
Date
1760
Medium
Etching and aquatint in brown ink
Location
The Metropolitan Museum of Art
Dimensions
Sheet (Trimmed): 14 7/16 × 15 1/4 in. (36.7 × 38.7 cm)
Collection
Drawings and Prints
Credit line
Harris Brisbane Dick Fund, 1953
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What to Notice

Five details hide in plain sight. Here’s where to look.

Flagellation of Christ
01

The way Christ's body glows, almost unnaturally, against the dark setting.

02

The blurred, indistinct faces of the flagellators, adding to their menacing anonymity.

03

The texture created by the aquatint, giving a painterly depth to the shadows.

04

The ropes binding Christ, taut and visible against the column.

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THE ARTIST

Stefano Mulinari

1741–1790

Italian engraver who transformed devotional scenes into intimate etchings with aquatint and colored washes.

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Head of a Child Same era · 1740s–1770s Head of a Child Jacques-Louis David · 1768 · The Metropolitan Museum of Art Portrait of Madame Anne-Jeanne Cassanéa de Mondonville, née Boucon (1708-1780) Same era · 1740s–1770s Portrait of Madame Anne-Jeanne Cassanéa de Mondonville, née Boucon (1708-1780) Maurice Quentin de Latour · 1752 · Art Institute of Chicago Design for a Lampas Silk with a Triumphal Chariot on a Cloud Same era · 1740s–1770s Design for a Lampas Silk with a Triumphal Chariot on a Cloud Philippe de la Salle · 1765 · The Metropolitan Museum of Art Thomas Hurnard (1711/1712–1753), Mayor of Norwich (1752) Same era · 1740s–1770s Thomas Hurnard (1711/1712–1753), Mayor of Norwich (1752) John Theodore Heins · 1754 · Norfolk Museums Collections Portrait of a Lady Same era · 1740s–1770s Portrait of a Lady John Smart of Ipswich · 1773 · Yale Center for British Art Medal cabinet Same era · 1740s–1770s Medal cabinet William Vile · 1760 · The Metropolitan Museum of Art Hot milk jug Same era · 1740s–1770s Hot milk jug Höchst Manufactory · 1770 · The Metropolitan Museum of Art Pair of Side Chairs Same era · 1740s–1770s Pair of Side Chairs Artist Unknown - The Mercat Cross, Aberdeen · 1770 · Art Institute of Chicago
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