“Stop and observe General Étienne-Maurice Gérard, a portrait that captures a military hero with striking dignity and psychological depth, reflecting the Neoclassical ideal of a composed and authoritative leader.”
General Étienne-Maurice Gérard stands before us, a figure of resolute calm, his gaze direct and unwavering. The artist captures him in a moment of quiet authority, his hand resting on the hilt of his sword, a symbol of his military command. The dramatic lighting, a hallmark of the Neoclassical style, emphasizes the contours of his face and the rich textures of his uniform, making him appear almost sculpted. This portrait, painted in 1816, reflects the shift in French society after the Napoleonic era, where military heroes like Gérard were celebrated not just for their battlefield prowess, but also for their dignified presence. The artist, then in exile in Brussels, continued to portray the leading figures of his time, bringing a sense of gravitas and psychological depth to his subjects, even as political fortunes shifted around him.
- Artist
- Jacques-Louis David
- Date
- 1816
- Medium
- Oil on canvas
- Location
- The Metropolitan Museum of Art
- Dimensions
- 77 5/8 x 53 5/8 in. (197.2 x 136.2 cm)
- Collection
- European Paintings
- Credit line
- Purchase, Rogers and Fletcher Funds, and Mary Wetmore Shively Bequest, in memory of her husband, Henry L. Shively, M.D., 1965
What to Notice
Five details hide in plain sight. Here’s where to look.

The intricate gold embroidery on General Gérard's dark uniform.
The subtle glint of light on the hilt of his sword.
The detailed rendering of the military decorations on his chest.
The soft shadow cast by his head, highlighting his firm jawline.
1 more detail is waiting.
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Jacques-Louis David
1748–1825 · FranceDavid survived revolution, prison, and exile to paint Napoleon's glory — and still died the most influential artist in France.
Further Works by David
Andromache Mourning Hector
1783 · Pushkin Museum of Fine Arts
Napoleon Crossing the Alps
1800 · Musée national de Malmaison et Bois-Préau
Head of a Child
1768 · The Metropolitan Museum of Art
The Lictors Bringing Brutus the Bodies of his Sons
1787 · The Metropolitan Museum of Art
Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836)
1788 · The Metropolitan Museum of Art
Madame François Buron
1769 · Art Institute of Chicago
Patroclus
1780 · Musée Thomas-Henry
Young Woman with a Turban
1780 · Cleveland Museum of Art
More from Academic art
More works to explore
Beyond David and Academic art: works from the same years, and from the other movements General Étienne-Maurice Gérard (1773–1852) belongs to.
Same movement · Neoclassicism
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1800s–1830s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1800s–1830s
The Third of May 1808
Francisco Goya · 1814 · Museo del Prado
Same era · 1800s–1830s
Wanderer above the Sea of Fog
Caspar David Friedrich · 1818 · Hamburger Kunsthalle
Same era · 1800s–1830s
England: Richmond Hill, on the Prince Regent's Birthday
J. M. W. Turner · 1819 · National Gallery
Same era · 1800s–1830s
Male Academy Figure: Half-Length, Side View
Eugène Delacroix · 1819 · Karen B. Cohen Collection
Same era · 1800s–1830s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones · 1819 · Art Institute of Chicago
Same era · 1800s–1830s
Sketchbook: Souvenir of Naples
Artist Unknown - The Mercat Cross, Aberdeen · 1821 · The Metropolitan Museum of Art
Same era · 1800s–1830s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1800s–1830s
Samuel Fisher Bradford
Rembrandt Peale · 1803 · Art Institute of Chicago
Same era · 1800s–1830s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1800s–1830s
Captain Sir Edward Brace, circa 1769-1843
Thomas Stewardson · 1816 · Royal Museums Greenwich
Same era · 1800s–1830s
The Battle of Waterloo, 18 June 1815
Samuel Drummond · 1815 · Bradford Museums and Galleries




