General Étienne-Maurice Gérard (1773–1852) by Jacques-Louis David

General Étienne-Maurice Gérard (1773–1852)

Jacques-Louis David · 1816

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“Stop and observe General Étienne-Maurice Gérard, a portrait that captures a military hero with striking dignity and psychological depth, reflecting the Neoclassical ideal of a composed and authoritative leader.”

ABOUT THIS WORK

General Étienne-Maurice Gérard stands before us, a figure of resolute calm, his gaze direct and unwavering. The artist captures him in a moment of quiet authority, his hand resting on the hilt of his sword, a symbol of his military command. The dramatic lighting, a hallmark of the Neoclassical style, emphasizes the contours of his face and the rich textures of his uniform, making him appear almost sculpted. This portrait, painted in 1816, reflects the shift in French society after the Napoleonic era, where military heroes like Gérard were celebrated not just for their battlefield prowess, but also for their dignified presence. The artist, then in exile in Brussels, continued to portray the leading figures of his time, bringing a sense of gravitas and psychological depth to his subjects, even as political fortunes shifted around him.

DETAILS
Artist
Jacques-Louis David
Date
1816
Medium
Oil on canvas
Location
The Metropolitan Museum of Art
Dimensions
77 5/8 x 53 5/8 in. (197.2 x 136.2 cm)
Collection
European Paintings
Credit line
Purchase, Rogers and Fletcher Funds, and Mary Wetmore Shively Bequest, in memory of her husband, Henry L. Shively, M.D., 1965
ART MOVEMENTS
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What to Notice

Five details hide in plain sight. Here’s where to look.

General Étienne-Maurice Gérard (1773–1852)
01

The intricate gold embroidery on General Gérard's dark uniform.

02

The subtle glint of light on the hilt of his sword.

03

The detailed rendering of the military decorations on his chest.

04

The soft shadow cast by his head, highlighting his firm jawline.

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THE ARTIST

Jacques-Louis David

1748–1825 · France

David survived revolution, prison, and exile to paint Napoleon's glory — and still died the most influential artist in France.

Read David’s full story
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Beyond David and Academic art: works from the same years, and from the other movements General Étienne-Maurice Gérard (1773–1852) belongs to.

Amédée-David, the Comte de Pastoret Same movement · Neoclassicism Amédée-David, the Comte de Pastoret Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago The Estuary Farm Same era · 1800s–1830s The Estuary Farm Léon-Victor Dupré · 1831 · Art Institute of Chicago The Third of May 1808 Same era · 1800s–1830s The Third of May 1808 Francisco Goya · 1814 · Museo del Prado Wanderer above the Sea of Fog Same era · 1800s–1830s Wanderer above the Sea of Fog Caspar David Friedrich · 1818 · Hamburger Kunsthalle England: Richmond Hill, on the Prince Regent's Birthday Same era · 1800s–1830s England: Richmond Hill, on the Prince Regent's Birthday J. M. W. Turner · 1819 · National Gallery Male Academy Figure: Half-Length, Side View Same era · 1800s–1830s Male Academy Figure: Half-Length, Side View Eugène Delacroix · 1819 · Karen B. Cohen Collection Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania Same era · 1800s–1830s Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania Samuel Jones · 1819 · Art Institute of Chicago Sketchbook: Souvenir of Naples Same era · 1800s–1830s Sketchbook: Souvenir of Naples Artist Unknown - The Mercat Cross, Aberdeen · 1821 · The Metropolitan Museum of Art
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