“Stop to appreciate this intimate etching of a woman seen from behind, a quiet study that reveals the artist's skill in capturing human form and subtle emotion through light and shadow.”
This etching captures a woman from behind, her figure centered and framed by what appears to be a window or doorway. Her head is slightly turned to the left, offering a glimpse of her profile, while her hair is pulled up, revealing the nape of her neck. The deep shadows around her suggest an interior space, with light perhaps coming from the opening she faces. Delacroix created this piece in 1833, a period when he frequently explored the human form, often with a dramatic flair. Here, the simplicity of the pose and the intimate scale draw the viewer into a moment of quiet contemplation, a stark contrast to the grand historical scenes for which he is more widely recognized. The medium of etching allows for a rich interplay of light and shadow, giving texture to her clothing and the surrounding environment.
- Artist
- Eugène Delacroix
- Date
- 1833
- Medium
- etching
- Location
- Cleveland Museum of Art
- Dimensions
- [object Object]
- Collection
- Prints
- Culture
- France, 19th century
- Credit line
- Norman O. Stone and Ella A. Stone Memorial Fund
What to Notice
Four details hide in plain sight. Here’s where to look.

The way the light illuminates the woman's shoulder and the back of her head.
The delicate lines that define the folds of her dress.
The subtle turn of her head, hinting at what she might be looking at.
The dark, almost abstract background that emphasizes her silhouette.
Stand in front of it and listen
The full narration walks you through Study of a Woman Seen from the Back — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Eugène Delacroix
1798–1863 · FranceFrench Romantic master whose 'Lion Hunt' and exotic scenes revolutionized color and movement in 19th-century art.
Further Works by Delacroix
Male Academy Figure: Half-Length, Side View
1819 · Karen B. Cohen Collection
The Combat of the Giaour and Hassan
1826 · Art Institute of Chicago
Hamlet and Horatio in the Graveyard
1839 · Department of Paintings of the Louvre
Arab Horseman Attacked by a Lion
1849 · Art Institute of Chicago
Lion Hunt
1858 · Museum of Fine Arts Boston
Jane Shore
1828 · Art Institute of Chicago
Studies of a Horse in Profile
1823 · The Metropolitan Museum of Art
Sheet of Sketches
1826 · Art Institute of Chicago
More from Romanticism
More works to explore
Beyond Delacroix and Romanticism: works from the same years, and from the other movements Study of a Woman Seen from the Back belongs to.
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Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1810s–1840s
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Jacques-Louis David · 1768 · The Metropolitan Museum of Art
Same era · 1810s–1840s
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J. M. W. Turner · 1834 · National Gallery
Same movement · Academic art
The Entombment of Christ
Caravaggio · 1600 · Pinacoteca Vaticana
Same era · 1810s–1840s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same movement · Academic art
Drunkenness of Noah
Michelangelo · 1509 · Sistine Chapel
Same era · 1810s–1840s
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Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same movement · Academic art
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Leonardo da Vinci · 1503 · Department of Paintings of the Louvre
Same era · 1810s–1840s
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Jean-François Millet · 1844 · Art Institute of Chicago
Same movement · Academic art
Lucretia
Raphael · Metropolitan Museum of Art
Same era · 1810s–1840s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1810s–1840s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1810s–1840s
Wooded Landscape
Gustave Courbet · 1848 · Art Institute of Chicago
Same era · 1810s–1840s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1810s–1840s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1810s–1840s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1810s–1840s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art




