“This painting vividly depicts a scene from Virgil's Aeneid, where Aeneas seeks a golden bough to enter the underworld. It's a striking example of Romantic landscape painting, infused with ancient myth and a luminous, dreamlike atmosphere.”
In this dramatic landscape, a vibrant, almost otherworldly light bathes a scene drawn from Virgil's Aeneid. A gnarled tree, its branches seemingly aflame with golden leaves, dominates the foreground, while a serene lake stretches into the distance, reflecting the glowing sky. The figures, small but significant, are seen gathering these luminous boughs, a ritual tied to ancient myths of fertility and rebirth. This painting, created in 1834, captures the essence of a pre-Roman legend, where a priest-king at Lake Nemi was ritually sacrificed by his successor. The artist, known for his imaginative landscapes, here evokes a sense of both the sacred and the cyclical nature of life and death, anticipating later anthropological studies that would explore these very themes.
- Artist
- J. M. W. Turner
- Date
- 1834
- Medium
- Oil on canvas
- Location
- National Gallery
What to Notice
Five details hide in plain sight. Here’s where to look.

The glowing golden boughs on the tree in the foreground
The figures collecting the boughs near the water's edge
The reflective surface of the lake, mirroring the sky
The distant, hazy mountains under a dramatic sky
1 more detail is waiting.
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J. M. W. Turner
1775–1851 · Kingdom of Great BritainJ. M. W. Turner, the 'painter of light,' transformed landscape painting with his turbulent marine scenes and expressive use of color.
Further Works by Turner
Aeneas and the Sibyl, Lake Avernus
1798 · National Gallery
Morning amongst the Coniston Fells, Cumberland
1798 · National Gallery
A Thames Backwater with Windsor Castle in the Distance
1805 · National Gallery
Walton Reach
1805 · National Gallery
Hampton Court from the Thames
1806 · National Gallery
Shipping at the Mouth of the Thames
1806 · National Gallery
The Goddess of Discord Choosing the Apple of Contention in the Garden of the Hesperides
1806 · National Gallery
Cliveden on Thames
1807 · National Gallery
More from Romanticism
More works to explore
Beyond Turner and Romanticism: works from the same years.
Same era · 1810s–1840s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1810s–1840s
Hamlet and Horatio in the Graveyard
Eugène Delacroix · 1839 · Department of Paintings of the Louvre
Same era · 1810s–1840s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same era · 1810s–1840s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1810s–1840s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1810s–1840s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1810s–1840s
Wooded Landscape
Gustave Courbet · 1848 · Art Institute of Chicago
Same era · 1810s–1840s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1810s–1840s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1810s–1840s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1810s–1840s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1810s–1840s
Designs for a Decorated Dish, or Platter, and a Biscuit Barrel
Alfred Henry Forrester [Alfred Crowquill] · 1845 · The Metropolitan Museum of Art




