“Stop to see Delacroix's dramatic lithograph of the legendary knight Götz von Berlichingen, captured in a moment of intense reflection as he writes his memoirs, bathed in a single, evocative light source.”
In this lithograph, we see the legendary German knight Götz von Berlichingen, seated at a desk, deeply engrossed in writing his memoirs. The scene, drawn from Goethe's dramatic play, captures a moment of quiet reflection for a figure known for his adventurous life and, famously, his iron prosthetic hand. Delacroix renders the interior with a dramatic play of light and shadow, characteristic of Romanticism. A single lamp illuminates Götz and his immediate surroundings, casting the rest of the room into a deep, atmospheric gloom. This intense focus on the solitary figure, lost in thought, emphasizes the psychological depth of the moment and the weight of a life being recounted. The composition draws us into the intimate space, inviting us to contemplate the act of memory and storytelling.
- Artist
- Eugène Delacroix
- Date
- 1836
- Medium
- Lithograph
- Location
- The Metropolitan Museum of Art
- Dimensions
- H. 10-1/8 x W. 7-1/4 in.
- Collection
- Robert Lehman Collection
- Credit line
- Robert Lehman Collection, 1975
What to Notice
Five details hide in plain sight. Here’s where to look.

Götz's concentration, illuminated by the lamp on his desk
The famous iron hand, resting on the table as he writes
The dramatic contrast of light and deep shadow throughout the room
The quill pen in his natural hand, poised over the paper
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Scene from Goethe's 'Götz' (Götz von Berlichingen Writing his Memoirs) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Eugène Delacroix
1798–1863 · FranceFrench Romantic master whose 'Lion Hunt' and exotic scenes revolutionized color and movement in 19th-century art.
Further Works by Delacroix
Male Academy Figure: Half-Length, Side View
1819 · Karen B. Cohen Collection
The Combat of the Giaour and Hassan
1826 · Art Institute of Chicago
Hamlet and Horatio in the Graveyard
1839 · Department of Paintings of the Louvre
Arab Horseman Attacked by a Lion
1849 · Art Institute of Chicago
Lion Hunt
1858 · Museum of Fine Arts Boston
Jane Shore
1828 · Art Institute of Chicago
Studies of a Horse in Profile
1823 · The Metropolitan Museum of Art
Study of Bodies "Liberty Leading the People"
1830 · The Metropolitan Museum of Art
More from Romanticism
More works to explore
Beyond Delacroix and Romanticism: works from the same years, and from the other movements Scene from Goethe's 'Götz' (Götz von Berlichingen Writing his Memoirs) belongs to.
Same movement · Academic art
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1820s–1850s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same movement · Academic art
Head of a Child
Jacques-Louis David · 1768 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Disaster at Sea
J. M. W. Turner · 1835 · National Gallery
Same movement · Academic art
The Entombment of Christ
Caravaggio · 1600 · Pinacoteca Vaticana
Same era · 1820s–1850s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same movement · Academic art
Drunkenness of Noah
Michelangelo · 1509 · Sistine Chapel
Same era · 1820s–1850s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same movement · Academic art
Mona Lisa
Leonardo da Vinci · 1503 · Department of Paintings of the Louvre
Same era · 1820s–1850s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same movement · Academic art
Lucretia
Raphael · Metropolitan Museum of Art
Same era · 1820s–1850s
Wooded Landscape
Gustave Courbet · 1848 · Art Institute of Chicago
Same era · 1820s–1850s
Mount Chocorua and Moat Mountain from North Conway
William Hart · 1850
Same era · 1820s–1850s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1820s–1850s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1820s–1850s
Designs for a Decorated Dish, or Platter, and a Biscuit Barrel
Alfred Henry Forrester [Alfred Crowquill] · 1845 · The Metropolitan Museum of Art
Same era · 1820s–1850s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1820s–1850s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art




