“This intimate oil sketch captures a figure in absorbed contemplation, showcasing Fortuny's ability to imbue a simple scene with a sense of quiet intensity and spontaneous energy.”
In "A Sketch," Mariano Fortuny Marsal captures a moment of intense focus. A man sits hunched over, his head bowed, seemingly engrossed in the act of drawing or writing. The scene is rendered with a swift, almost impressionistic brushwork that belies the traditional subject matter. Although titled "A Sketch," this oil on canvas work from 1862 is a finished piece, offering a glimpse into the artist's fascination with capturing everyday life with spontaneous energy. The muted palette, dominated by browns and grays, allows the subtle variations in tone and texture to emerge, emphasizing the quiet concentration of the figure. This painting stands apart from the more elaborate Orientalist and historical scenes for which Fortuny would become known, revealing a more intimate, observational side of his practice.
- Artist
- Mariano Fortuny Marsal
- Date
- 1862
- Medium
- Oil on canvas
- Location
- Hispanic Society of America
What to Notice
Four details hide in plain sight. Here’s where to look.

The man's hunched posture, suggesting deep concentration.
The quick, almost gestural brushstrokes defining the figure and his surroundings.
The subtle play of light and shadow across the man's back and head.
The simple, unadorned background, keeping focus on the figure.
Stand in front of it and listen
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Mariano Fortuny Marsal
1838–1874 · SpainSpanish painter who died at 36 from malaria caught while painting outdoors, leaving behind shimmering Orientalist scenes.
Further Works by Marsal
An Arab Warrior
1862 · Hispanic Society of America
Patio of the Palace of the Duke of Alba, Seville: Raimundo de Madrazo y Garreta painting
1868 · Hispanic Society of America
The Portico of the Church of San Ginés, Madrid
1868 · Hispanic Society of America
Bearded Man
1871 · Hispanic Society of America
Mirope Savati Gaye
1865 · The Metropolitan Museum of Art
African Chief
1870 · Art Institute of Chicago
Moroccan Horseshoer
1870 · Museu Nacional d'Art de Catalunya
A Moor (Askari)
1862 · Hispanic Society of America
More from Romanticism
More works to explore
Beyond Marsal and Romanticism: works from the same years.
Same era · 1840s–1870s
The Backgammon Players
Philip Webb · 1861 · The Metropolitan Museum of Art
Same era · 1840s–1870s
The Cottage by the Roadside, Stormy Sky
Léon-Victor Dupré · 1855 · Art Institute of Chicago
Same era · 1840s–1870s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same era · 1840s–1870s
Mount Madison from the Androscoggin River
William Hart · 1862
Same era · 1840s–1870s
Rêverie (Portrait of Gabrielle Borreau)
Gustave Courbet · 1862 · Art Institute of Chicago
Same era · 1840s–1870s
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1840s–1870s
Fish (Still Life)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1840s–1870s
Peasants Bringing Home a Calf Born in the Fields
Jean-François Millet · 1864 · Art Institute of Chicago
Same era · 1840s–1870s
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1840s–1870s
Lion Hunt
Eugène Delacroix · 1858 · Museum of Fine Arts Boston
Same era · 1840s–1870s
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1840s–1870s
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago




