“Stop to experience the radical use of color in this Henri Matisse painting from 1906. It's an explosion of brilliant hues that captures the intense light of the French Mediterranean, marking a key moment in modern art where color became an expression of feeling rather than just description.”
The gnarled forms of ancient olive trees dominate this vibrant landscape, their trunks twisting into abstract shapes against a backdrop of sun-drenched hills. Painted in the summer of 1906 in Collioure, a fishing village on the Mediterranean coast, this work captures the intense light and color that defined the Fauvist movement. Notice how the artist uses bold, unmixed hues directly from the tube, applying them in broad, confident strokes that emphasize emotion over realistic representation. The sky, a brilliant expanse of yellow, is echoed in the sun-dappled ground, creating a sense of shimmering heat. This painting exemplifies a pivotal moment for modern art, where color was liberated from its descriptive role to become an expressive force in itself.
- Artist
- Henri Matisse
- Date
- 1906
- Medium
- Oil on canvas
- Location
- The Metropolitan Museum of Art
- Dimensions
- 18 1/8 × 21 5/8 in. (46 × 55 cm) Framed: 27 5/16 × 30 7/8 in. (69.4 × 78.4 cm)
- Collection
- Robert Lehman Collection
- Credit line
- Robert Lehman Collection, 1975
What to Notice
Five details hide in plain sight. Here’s where to look.

The vivid yellow sky, an unexpected color choice for a landscape.
The thick, visible brushstrokes that create texture and movement.
The way the olive tree trunks twist and curve like sculptures.
The patches of green and blue that define the distant hills.
1 more detail is waiting.
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Henri Matisse
1869–1954 · FranceHenri Matisse, a master of color and form, moved from law to art after an appendicitis recovery, becoming a defining figure of 20th-century modern art.
Further Works by Matisse
The Three O'Clock Sitting
1924 · The Metropolitan Museum of Art
Carmelina
1903 · Museum of Fine Arts Boston
Still Life with Geranium
1906 · Art Institute of Chicago
Bathers by a River
1909 · Art Institute of Chicago
Apples
1916 · Art Institute of Chicago
Laurette with a Cup of Coffee
1916 · Art Institute of Chicago
Interior at Nice
1919 · Art Institute of Chicago
Woman before an Aquarium
1921 · Art Institute of Chicago
More from Post-Impressionism
Olive Trees
van Gogh · 1853 · The Metropolitan Museum of Art
Gustave Boyer (b. 1840) in a Straw Hat
Cézanne · 1870 · The Metropolitan Museum of Art
The Seine at Pont de Grenelle
Gauguin · 1875 · Wallraf–Richartz Museum
Albert (René) Grenier (1858–1925)
de Toulouse-Lautrec · 1887 · The Metropolitan Museum of Art
More works to explore
Beyond Matisse and Post-Impressionism: works from the same years, and from the other movements Olive Trees at Collioure belongs to.
Same movement · Fauvism
Landscape at L'Estaque
Georges Braque · 1906 · Art Institute of Chicago
Same era · 1890s–1920s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same movement · Impressionism
Still Life: Wood Tankard and Metal Pitcher
Paul Gauguin · 1880 · Art Institute of Chicago
Same era · 1890s–1920s
Frauenkopf vor Sonnenblumen
Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda
Same movement · Impressionism
After the Bullfight
Mary Cassatt · 1873 · Art Institute of Chicago
Same era · 1890s–1920s
Barber
Mikhail Larionov · 1907 · Russian Museum
Same movement · Impressionism
A Turn in the Road
Alfred Sisley · 1873 · Art Institute of Chicago
Same era · 1890s–1920s
Antwerp
Georges Braque · 1906 · Art Institute of Chicago
Same movement · Impressionism
The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935)
Berthe Morisot · 1870 · Metropolitan Museum of Art
Same era · 1890s–1920s
Self-Portrait
Pablo Picasso · 1906 · The Metropolitan Museum of Art
Same movement · Impressionism
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago
Same era · 1890s–1920s
Consolation
Edvard Munch · 1907 · Munch Museum
Same movement · Neo-Impressionism
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1890s–1920s
Mont Sainte-Victoire
Paul Cézanne · 1904 · Detroit Institute of Arts
Same movement · Impressionism
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1890s–1920s
Maude Adams (1872–1953) as Joan of Arc
Alphonse Mucha · 1909 · The Metropolitan Museum of Art
Same movement · Impressionism
Fish (Still Life)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1890s–1920s
Composition with Figures and a Horse
Paul Gauguin · 1902 · Nationalmuseum
Same movement · Impressionism
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1890s–1920s
Birth
Marc Chagall · 1911 · Art Institute of Chicago
Same era · 1890s–1920s
Charing Cross Bridge, London
Claude Monet · 1901 · Art Institute of Chicago
Same era · 1890s–1920s
Crouching Nude in Shoes and Black Stockings, Back View
Egon Schiele · 1912 · The Metropolitan Museum of Art
