“This 1935 clock case is a captivating example of "tramp art," a unique American folk art tradition where recycled wood is transformed into intricate, layered designs through meticulous carving and notching.”
This clock case, a vibrant example of "tramp art," immediately draws the eye with its intricate, layered surfaces. Created in 1935, it showcases a distinctive style of wood carving that flourished in the United States from the late 19th to mid-20th centuries. The piece is built from recycled wood, likely salvaged scraps, meticulously notched and stacked to create a rhythmic, three-dimensional texture across its entire form. This vernacular tradition, often passed down informally, transformed everyday household objects into works of art through chip carving and whittling. The rich, painted finish highlights the complex geometric patterns, demonstrating how simple materials and accessible techniques could yield such an elaborate and captivating object.
- Artist
- Artist Unknown - The Mercat Cross, Aberdeen
- Date
- 1935
- Medium
- Wood and paint
- Location
- Art Institute of Chicago
- Dimensions
- 55.9 × 47.6 × 20.3 cm (22 × 18 3/4 × 8 in.)
- Collection
- Arts of the Americas
- Culture
- Wisconsin
- Credit line
- Gift of Harold Allen
What to Notice
Four details hide in plain sight. Here’s where to look.

Look closely at the layered wooden pieces forming the decorative edges.
Notice the repeating notch patterns, a hallmark of tramp art.
Observe the painted surface, which accentuates the carved textures.
See how the different depths of the wood create shadows and visual interest.
Stand in front of it and listen
The full narration walks you through Cathedral Clock Case — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Artist Unknown - The Mercat Cross, Aberdeen
This 'Artist Unknown' represents a vast collection of anonymous creators, whose works like 'Boston Common' and 'Self Portrait' offer glimpses into diverse historical periods and artistic practices.
Further Works by Aberdeen
Southern Barbarians
1625 · Art Institute of Chicago
Baskets with Flowers of the Four Seasons
1701 · Art Institute of Chicago
Flower Arrangements
1595 · Art Institute of Chicago
Sketchbook: Souvenir of Naples
1821 · The Metropolitan Museum of Art
The Five Points
1822 · The Metropolitan Museum of Art
Side Chair
1750 · Art Institute of Chicago
Pair of Side Chairs
1770 · Art Institute of Chicago
Punch Bowl
1789 · Art Institute of Chicago
More works to explore
Beyond Aberdeen: works from the same years.
Same era · 1920s–1950s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1920s–1950s
Deux personnages
Pierre Alechinsky · 1950
Same era · 1920s–1950s
Nude
Ivan Puni · 1931 · Art Institute of Chicago
Same era · 1920s–1950s
American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same era · 1920s–1950s
Straße mit Passanten bei Nachtbeleuchtung
Ernst Ludwig Kirchner · 1927 · Museum Frieder Burda
Same era · 1920s–1950s
The Indestructibles
Philip Evergood · 1946 · Art Institute of Chicago
Same era · 1920s–1950s
Garden Airplane-Trap
Max Ernst · 1935 · Art Institute of Chicago
Same era · 1920s–1950s
Two Women on the Shore
Edvard Munch · 1935 · Munch Museum
Same era · 1920s–1950s
A Chemist Lifting with Extreme Precaution the Cuticle of a Grand Piano
Salvador Dalí · 1936 · Art Institute of Chicago
Same era · 1920s–1950s
In the Magic Mirror
Paul Klee · 1934 · Art Institute of Chicago
Same era · 1920s–1950s
Woman at an Easel (Green Screen)
Georges Braque · 1936 · Art Institute of Chicago
Same era · 1920s–1950s
On the Threshold of Liberty
René Magritte · 1937 · Art Institute of Chicago
