Punch Bowl by Artist Unknown - The Mercat Cross, Aberdeen
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“This punch bowl isn't just a decorative object; it's a historical map. It vividly illustrates the tightly regulated foreign trade district in 18th-century Canton, China, complete with individual national trading houses.”

ABOUT THIS WORK

This punch bowl, dating to 1789, offers a fascinating glimpse into the tightly controlled world of 18th-century international trade in China. The exterior is decorated in grisaille, a monochrome technique that renders the scene in shades of gray, much like an engraving or drawing. It meticulously depicts the 13 foreign trading houses, known as hongs (or factories), that lined a restricted 15-acre area in Canton. Each building represented a specific European country, serving as both counting houses and living quarters for agents during the fall trading season. Here, the American factory is placed between those of the United Kingdom and the Netherlands, a detail that suggests this might be an earlier rendering, created before the United States permanently established its factory next to Sweden’s. The delicate hard-paste porcelain and vibrant enamels highlight the luxury associated with these imported goods.

DETAILS
Artist
Artist Unknown - The Mercat Cross, Aberdeen
Date
1789
Medium
Hard-paste porcelain, glaze, enamels in colors, gilding
Location
Art Institute of Chicago
Dimensions
15 × 36.3 × 25.8 cm (5 15/16 × 14 5/16 × 10 3/16 in.)
Collection
Arts of the Americas
Culture
China
Credit line
Purchased with funds provided by the Antiquarian Society
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What to Notice

Five details hide in plain sight. Here’s where to look.

Punch Bowl
01

Observe the grisaille decoration, creating a monochromatic, etched effect.

02

Locate the American factory, flanked by the British and Dutch hongs.

03

Notice the detailed flags flying above each of the 13 buildings.

04

See the delicate gilding along the rim and base of the bowl.

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THE ARTIST

Artist Unknown - The Mercat Cross, Aberdeen

This 'Artist Unknown' represents a vast collection of anonymous creators, whose works like 'Boston Common' and 'Self Portrait' offer glimpses into diverse historical periods and artistic practices.

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