“This 18th-century side chair masterfully combines Baroque and Rococo styles, reflecting a fascinating moment of transition in American furniture design. Its detailed carving and elegant form speak to the refined tastes of colonial Philadelphia's elite.”
This elegant side chair, crafted around 1750, offers a fascinating glimpse into changing tastes in 18th-century American furniture. Part of a set originally commissioned for John Wister's Germantown home, Grumblethorpe, it blends elements of two distinct styles. You can see the lingering influence of the Baroque period in the pierced design of the chair's back and the ruffled shell ornament adorning the front seat rail. Yet, the chair also embraces the emerging Rococo aesthetic with its more elaborate carving, the distinctly rectangular shape of the back, and the trapezoidal seat. Made of rich mahogany with tulip poplar and upholstery, its refined form suggests the comfort and sophistication sought by affluent colonial families.
- Artist
- Artist Unknown - The Mercat Cross, Aberdeen
- Date
- 1750
- Medium
- Mahogany with tulip poplar and upholstery
- Location
- Art Institute of Chicago
- Dimensions
- 97 × 56.5 × 40 cm (39 1/2 × 22 1/4 × 15 3/4 in.)
- Collection
- Arts of the Americas
- Culture
- Philadelphia
- Credit line
- Robert R. McCormick Charitable Trust Fund
What to Notice
Five details hide in plain sight. Here’s where to look.

The intricate piercing in the chair back, a Baroque detail.
The ruffled shell carving on the front seat rail.
The graceful curve of the cabriole legs.
The trapezoidal shape of the upholstered seat.
1 more detail is waiting.
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Artist Unknown - The Mercat Cross, Aberdeen
This 'Artist Unknown' represents a vast collection of anonymous creators, whose works like 'Boston Common' and 'Self Portrait' offer glimpses into diverse historical periods and artistic practices.
Further Works by Aberdeen
Southern Barbarians
1625 · Art Institute of Chicago
Baskets with Flowers of the Four Seasons
1701 · Art Institute of Chicago
Flower Arrangements
1595 · Art Institute of Chicago
Sketchbook: Souvenir of Naples
1821 · The Metropolitan Museum of Art
The Five Points
1822 · The Metropolitan Museum of Art
Pair of Side Chairs
1770 · Art Institute of Chicago
Punch Bowl
1789 · Art Institute of Chicago
Chest of Drawers
1800 · Art Institute of Chicago
More works to explore
Beyond Aberdeen: works from the same years.
Same era · 1730s–1760s
Portrait of Madame Anne-Jeanne Cassanéa de Mondonville, née Boucon (1708-1780)
Maurice Quentin de Latour · 1752 · Art Institute of Chicago
Same era · 1730s–1760s
Richard Walker (1679–1764), Vice-Master and Horticulturist
John Theodore Heins · 1751 · Trinity College
Same era · 1730s–1760s
Design for a Lampas Silk with a Triumphal Chariot on a Cloud
Philippe de la Salle · 1765 · The Metropolitan Museum of Art
Same era · 1730s–1760s
Flying Figure Holding a Crown, Reclining River God
Jacques-Louis David · 1760 · The Metropolitan Museum of Art
Same era · 1730s–1760s
Medal cabinet
William Vile · 1760 · The Metropolitan Museum of Art
Same era · 1730s–1760s
Madonna and Child with Saints Peter and Paul
Stefano Mulinari · 1750 · The Metropolitan Museum of Art
Same era · 1730s–1760s
Hunter with Hounds
Höchster Porzellan-Manufaktur · 1755 · The Metropolitan Museum of Art
Same era · 1730s–1760s
Image of an Empire in Peace and Prosperity
Zhou Kun · 1745 · National Palace Museum
Same era · 1730s–1760s
Landscape
William Wooller · 1763 · Cleveland Museum of Art
Same era · 1730s–1760s
View of Ponte Lugano on the Anio, from Views of Rome
Giovanni Battista Piranesi · 1763 · Art Institute of Chicago
