“This sketchbook is a delightful visual diary of Naples in 1821, filled with 56 detailed views that transport you back to a bygone era of travel and artistic exploration. Its intimate scale and varied techniques offer a personal window into a historic city.”
This sketchbook, a "Souvenir of Naples" from 1821, offers a charming and intimate glimpse into the bustling Italian city. Its pages reveal 56 distinct views, each carefully rendered, capturing the vibrant atmosphere of a popular Grand Tour destination. The artist, though unknown, meticulously documented the urban landscape and its iconic landmarks, suggesting a personal connection to the journey or a desire to preserve detailed memories. The early pages, executed in delicate watercolor over graphite, transition to more opaque gouache towards the end, showing a subtle shift in technique or perhaps a different phase of the trip. The small scale of each scene invites close inspection, drawing the viewer into a past era of travel and artistic observation. The faded calfskin binding and pink endpapers hint at its age and the personal value it held for its original owner, serving as a tangible record of a significant experience abroad.
- Artist
- Artist Unknown - The Mercat Cross, Aberdeen
- Date
- 1821
- Medium
- Sketchbook with faded calfskin binding, pink endpapers and 56 views of Naples arranged two a page on 28 facing pages: pages 1-24 in watercolor over graphite, pages 25-28 in gouache.
- Location
- The Metropolitan Museum of Art
- Dimensions
- Sketchbook 225 x 180 mm; scenes each 72 x 104 mm
- Collection
- Robert Lehman Collection
- Culture
- Italian, Naples
- Credit line
- Robert Lehman Collection, 1975
What to Notice
Five details hide in plain sight. Here’s where to look.

Observe the transition from transparent watercolors to denser gouache.
Notice the detailed architectural elements in each small scene.
Look for signs of daily life and activity within the Neapolitan views.
See the delicate pink endpapers peeking out from the faded binding.
1 more detail is waiting.
See all 5 in Art Whisper →Stand in front of it and listen
The full narration walks you through Sketchbook: Souvenir of Naples — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Artist Unknown - The Mercat Cross, Aberdeen
This 'Artist Unknown' represents a vast collection of anonymous creators, whose works like 'Boston Common' and 'Self Portrait' offer glimpses into diverse historical periods and artistic practices.
Further Works by Aberdeen
Southern Barbarians
1625 · Art Institute of Chicago
Baskets with Flowers of the Four Seasons
1701 · Art Institute of Chicago
The Five Points
1822 · The Metropolitan Museum of Art
Flower Arrangements
1595 · Art Institute of Chicago
Side Chair
1750 · Art Institute of Chicago
Pair of Side Chairs
1770 · Art Institute of Chicago
Punch Bowl
1789 · Art Institute of Chicago
Chest of Drawers
1800 · Art Institute of Chicago
More works to explore
Beyond Aberdeen: works from the same years.
Same era · 1800s–1830s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same era · 1800s–1830s
Rome, from the Vatican. Raffaelle, Accompanied by La Fornarina, Preparing his Pictures for the Decoration of the Loggia
J. M. W. Turner · 1820 · National Gallery
Same era · 1800s–1830s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1800s–1830s
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1800s–1830s
Male Academy Figure: Half-Length, Side View
Eugène Delacroix · 1819 · Karen B. Cohen Collection
Same era · 1800s–1830s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1800s–1830s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same era · 1800s–1830s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones · 1819 · Art Institute of Chicago
Same era · 1800s–1830s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1800s–1830s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1800s–1830s
Misty Mountains
William Edward West · 1821 · Art Institute of Chicago
Same era · 1800s–1830s
Porträt des Nicholas Majkov
Vasily Andreevich Tropinin · 1821 · Russian Museum
