“Stop to see this intense lithograph by Eugène Delacroix, where a monk confronts the legendary knight Goetz, whose iron hand gleams menacingly in the dramatic shadows.”
In this dramatic lithograph from 1836, we witness a tense encounter between Brother Martin and the formidable Goetz, whose right hand is famously encased in iron. The scene, drawn from Goethe's play "Goetz von Berlichingen," captures the moment of confrontation within a dimly lit, almost claustrophobic space. Delacroix masterfully uses the lithographic medium to create deep shadows and stark contrasts, emphasizing the grim determination on Brother Martin's face as he grasps the armored hand. The light, seemingly emanating from an unseen source to the left, illuminates the figures with a theatrical intensity, highlighting the textures of their garments and the cold gleam of the iron hand. This work exemplifies the Romantic era's fascination with historical narratives and powerful human emotions, rendered with a raw immediacy that draws the viewer into the dramatic moment.
- Artist
- Eugène Delacroix
- Date
- 1836
- Medium
- Lithograph in black on ivory China paper laid down on white wove paper
- Location
- Art Institute of Chicago
- Dimensions
- Image/chine: 24.7 × 18.9 cm (9 3/4 × 7 7/16 in.); Sheet: 55.1 × 39 cm (21 3/4 × 15 3/8 in.)
- Collection
- Prints and Drawings
- Culture
- France
- Credit line
- William McCallin McKee Memorial Endowment
What to Notice
Five details hide in plain sight. Here’s where to look.

The grim expression on Brother Martin's face as he confronts Goetz.
The detailed rendering of Goetz's iron gauntlet, central to the drama.
The deep shadows and highlights created by the lithography technique.
The subtle textures of the monk's robe and Goetz's attire.
1 more detail is waiting.
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Eugène Delacroix
1798–1863 · FranceFrench Romantic master whose 'Lion Hunt' and exotic scenes revolutionized color and movement in 19th-century art.
Further Works by Delacroix
The Combat of the Giaour and Hassan
1826 · Art Institute of Chicago
Arab Horseman Attacked by a Lion
1849 · Art Institute of Chicago
Male Academy Figure: Half-Length, Side View
1819 · Karen B. Cohen Collection
Hamlet and Horatio in the Graveyard
1839 · Department of Paintings of the Louvre
Lion Hunt
1858 · Museum of Fine Arts Boston
Jane Shore
1828 · Art Institute of Chicago
Sheet of Sketches
1826 · Art Institute of Chicago
Mephistopheles Appearing to Faust
1828 · Art Institute of Chicago
More from Romanticism
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Same era · 1820s–1850s
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Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
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Same era · 1820s–1850s
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Same era · 1820s–1850s
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Gustave Courbet · 1848 · Art Institute of Chicago
Same era · 1820s–1850s
Mount Chocorua and Moat Mountain from North Conway
William Hart · 1850
Same era · 1820s–1850s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1820s–1850s
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Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1820s–1850s
Designs for a Decorated Dish, or Platter, and a Biscuit Barrel
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Same era · 1820s–1850s
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Same era · 1820s–1850s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art




