“Stop to appreciate this intimate charcoal portrait, a rare human subject for Georgia O'Keeffe, capturing the intense presence of artist Beauford Delaney with remarkable economy of line and shadow.”
A striking portrait in charcoal, this work captures the intensity of Beauford Delaney, a fellow artist and friend of Georgia O'Keeffe. His face, rendered with a direct gaze, fills the frame, suggesting a close, personal connection between subject and artist. O'Keeffe masterfully uses the stark contrast of black charcoal against cream paper to sculpt his features, particularly around his eyes and the strong lines of his jaw. The texture of the paper itself seems to contribute to the depth, creating a sense of raw immediacy. Unlike many of her more abstract or landscape-focused works, this portrait offers a rare glimpse into O'Keeffe's engagement with the human form, rendered with a profound sense of observation and empathy. It stands as a testament to her versatile skill and her ability to evoke character through minimalist means.
- Artist
- Georgia O'Keeffe
- Date
- 1943
- Medium
- Charcoal on cream laid paper
- Location
- Art Institute of Chicago
- Dimensions
- Sight: 62.1 × 47 cm (24 1/2 × 18 9/16 in.)
- Collection
- Prints and Drawings
- Culture
- United States
- Credit line
- The Harry B. and Bessie K. Braude Memorial Endowment Fund
What to Notice
Four details hide in plain sight. Here’s where to look.

The direct, unwavering gaze of Beauford Delaney's eyes.
The subtle shading that defines the planes of his face.
The way his left ear is barely suggested by a few lines.
The texture of the cream laid paper showing through the charcoal.
Stand in front of it and listen
The full narration walks you through Beauford Delaney — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Georgia O'Keeffe
1887–1986 · United StatesGeorgia O'Keeffe, the 'Mother of American modernism,' transformed natural forms into powerful abstractions, from magnified flowers to the stark beauty of the New Mexico desert.
Further Works by O'Keeffe
Black Iris
1926 · The Metropolitan Museum of Art
Blue and Green Music
1919 · Art Institute of Chicago
The Shelton with Sunspots, N.Y.
1926 · Art Institute of Chicago
Ballet Skirt or Electric Light (from the White Rose Motif)
1927 · Art Institute of Chicago
Black Cross, New Mexico
1929 · Art Institute of Chicago
Cow's Skull with Calico Roses
1931 · Art Institute of Chicago
Red and Pink Rocks and Teeth
1938 · Art Institute of Chicago
Peru – Machu Picchu, Morning Light
1957 · Art Institute of Chicago
More works to explore
Beyond O'Keeffe: works from the same years.
Same era · 1920s–1950s
Greyed Rainbow
Jackson Pollock · 1953 · Art Institute of Chicago
Same era · 1920s–1950s
Sun Spot
Yayoi Kusama · 1953 · Art Institute of Chicago
Same era · 1920s–1950s
Deux personnages
Pierre Alechinsky · 1950
Same era · 1920s–1950s
Impregnazione
Piero Manzoni · 1958
Same era · 1920s–1950s
Picture of Dorian Gray
Ivan Puni · 1943 · Art Institute of Chicago
Same era · 1920s–1950s
Nighthawks
Okada Saburosuke · 1942 · Art Institute of Chicago
Same era · 1920s–1950s
The Indestructibles
Philip Evergood · 1946 · Art Institute of Chicago
Same era · 1920s–1950s
Red No. 2
Sam Francis · 1954 · Art Institute of Chicago
Same era · 1920s–1950s
Freedom of Worship
Norman Rockwell · 1943 · Norman Rockwell Museum
Same era · 1920s–1950s
Untitled (Woman-Bottle)
René Magritte · 1943 · Art Institute of Chicago
Same era · 1920s–1950s
Summer Night in Arizona
Max Ernst · 1944 · Art Institute of Chicago
Same era · 1920s–1950s
Dancing Girl
Paul Klee · 1940 · Art Institute of Chicago
