“Stop and behold this unsettling portrait, created for the 1945 film *The Picture of Dorian Gray*. It's a vivid, grotesque depiction of a soul's decay, designed to shock and enthrall.”
This painting, a truly ghastly portrait, was created by Ivan Puni for the 1945 film adaptation of Oscar Wilde's novel, The Picture of Dorian Gray. It captures the horrifying transformation of the young and attractive Gray, whose portrait in the story decays as he descends into moral corruption. Puni's work vividly illustrates the novel's central theme: a physical manifestation of a soul's degradation. The artwork itself became a sensation, appearing in jarring Technicolor within an otherwise black-and-white movie. When it was exhibited at the Art Institute of Chicago shortly after the film's release, it drew immense crowds, eager to witness the macabre image that both fascinated and repulsed them. The painting's dramatic impact lies in its grotesque detail and its powerful narrative connection to a classic tale of vanity and damnation.
- Artist
- Ivan Puni
- Date
- 1943
- Medium
- Oil on canvas
- Location
- Art Institute of Chicago
- Dimensions
- 215.9 × 106.7 cm (85 × 42 in.)
- Collection
- Arts of the Americas
- Culture
- United States
- Credit line
- Gift of Ivan Albright
What to Notice
Four details hide in plain sight. Here’s where to look.

The decaying flesh, particularly around the eyes and mouth
The distorted, skeletal hands clutching the fabric
The way the once-handsome face is now a mask of horror
The dark, somber background contrasting with the figure
Stand in front of it and listen
The full narration walks you through Picture of Dorian Gray — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Ivan Puni
1890–1956 · Russian EmpireRussian avant-garde pioneer who organized the legendary 0.10 exhibition, then reinvented himself as a French painter.
Further Works by Puni
Memories of the Past
1927 · Art Institute of Chicago
The Lineman
1927 · Art Institute of Chicago
Heavy the Oar to Him Who Is Tired, Heavy the Coat, Heavy the Sea
1929 · Art Institute of Chicago
Into the World There Came a Soul Called Ida
1929 · Art Institute of Chicago
And Man Created God in His Own Image
1930 · Art Institute of Chicago
Three Love Birds
1930 · Art Institute of Chicago
Nude
1931 · Art Institute of Chicago
That Which I Should Have Done I Did Not Do (The Door)
1931 · Art Institute of Chicago
More works to explore
Beyond Puni: works from the same years.
Same era · 1920s–1950s
Greyed Rainbow
Jackson Pollock · 1953 · Art Institute of Chicago
Same era · 1920s–1950s
Sun Spot
Yayoi Kusama · 1953 · Art Institute of Chicago
Same era · 1920s–1950s
Deux personnages
Pierre Alechinsky · 1950
Same era · 1920s–1950s
Impregnazione
Piero Manzoni · 1958
Same era · 1920s–1950s
Nighthawks
Okada Saburosuke · 1942 · Art Institute of Chicago
Same era · 1920s–1950s
The Indestructibles
Philip Evergood · 1946 · Art Institute of Chicago
Same era · 1920s–1950s
Red No. 2
Sam Francis · 1954 · Art Institute of Chicago
Same era · 1920s–1950s
Freedom from Fear
Norman Rockwell · 1943 · Norman Rockwell Museum
Same era · 1920s–1950s
Untitled (Woman-Bottle)
René Magritte · 1943 · Art Institute of Chicago
Same era · 1920s–1950s
Summer Night in Arizona
Max Ernst · 1944 · Art Institute of Chicago
Same era · 1920s–1950s
Dancing Girl
Paul Klee · 1940 · Art Institute of Chicago
Same era · 1920s–1950s
Study for a Composition
Piet Mondrian · 1940 · Art Institute of Chicago
