“This iconic painting by Georgia O'Keeffe transforms a simple black cross into a powerful symbol of the New Mexico landscape, set against a breathtaking sunset. Notice how the cross is both a stark, flat shape and a textured object, anchoring the vast, luminous sky.”
A stark black cross dominates this canvas, rising monumentally to meet the top edge of the frame. It stands flat against the picture plane, its rough, handmade texture a striking contrast to the luminous, ethereal sky behind it. The cross is a Catholic symbol, a common sight in the American Southwest that Georgia O'Keeffe visited in 1929. She recalled that for her, "painting the crosses was a way of painting the country." This work captures the vastness of the New Mexico landscape, with rolling hills fading into the distance under a brilliant sunset. The painting helped solidify the artist's deep connection to the region, which would become her permanent home years later. The Art Institute of Chicago acquired this painting in 1943, the same year it hosted O'Keeffe's first major museum retrospective.
- Artist
- Georgia O'Keeffe
- Date
- 1929
- Medium
- Oil on canvas
- Location
- Art Institute of Chicago
- Dimensions
- 99.4 × 76.2 cm (39 1/8 × 30 in.)
- Collection
- Arts of the Americas
- Culture
- New Mexico
- Credit line
- Art Institute Purchase Fund
What to Notice
Five details hide in plain sight. Here’s where to look.

The way the black cross is flattened against the canvas, almost like a stencil.
The subtle texture of the cross, suggesting it is made of rough wood or adobe.
The vibrant hues of orange, yellow, and purple in the distant sunset.
The way the rolling hills gently recede into the horizon line.
1 more detail is waiting.
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Georgia O'Keeffe
1887–1986 · United StatesGeorgia O'Keeffe, the 'Mother of American modernism,' transformed natural forms into powerful abstractions, from magnified flowers to the stark beauty of the New Mexico desert.
Further Works by O'Keeffe
Black Iris
1926 · The Metropolitan Museum of Art
Blue and Green Music
1919 · Art Institute of Chicago
The Shelton with Sunspots, N.Y.
1926 · Art Institute of Chicago
Ballet Skirt or Electric Light (from the White Rose Motif)
1927 · Art Institute of Chicago
Cow's Skull with Calico Roses
1931 · Art Institute of Chicago
Red and Pink Rocks and Teeth
1938 · Art Institute of Chicago
Peru – Machu Picchu, Morning Light
1957 · Art Institute of Chicago
Road – Mesa with Mist
1961 · Art Institute of Chicago
More works to explore
Beyond O'Keeffe: works from the same years.
Same era · 1910s–1940s
Lozenge Composition with Yellow, Black, Blue, Red, and Gray
Piet Mondrian · 1921 · Art Institute of Chicago
Same era · 1910s–1940s
Heavy the Oar to Him Who Is Tired, Heavy the Coat, Heavy the Sea
Ivan Puni · 1929 · Art Institute of Chicago
Same era · 1910s–1940s
American Gothic
Okada Saburosuke · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
Straße mit Passanten bei Nachtbeleuchtung
Ernst Ludwig Kirchner · 1927 · Museum Frieder Burda
Same era · 1910s–1940s
Fleeing Ghost
Paul Klee · 1929 · Art Institute of Chicago
Same era · 1910s–1940s
Abstraction: Background with Blue Cloudy Sky
Pablo Picasso · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
American Gothic
Grant Wood · 1930 · Art Institute of Chicago
Same era · 1910s–1940s
The Circus Rider
Marc Chagall · 1927 · Art Institute of Chicago
Same era · 1910s–1940s
Lemons on a Pewter Plate
Henri Matisse · 1926 · Art Institute of Chicago
Same era · 1910s–1940s
The Eye
René Magritte · 1932 · Art Institute of Chicago
Same era · 1910s–1940s
The Blue Forest
Max Ernst · 1925 · Art Institute of Chicago
Same era · 1910s–1940s
Untitled (Desert Landscape)
Salvador Dalí · 1934 · Art Institute of Chicago
