A Young Woman of Frascati

Jacques-Louis David, 1775

MEDIUMRed chalk; framing lines in pen and brown ink, irregularly cut
DIMENSIONSSheet: 6 x 5 3/8 in. (15.3 x 13.7 cm) (irregularly cut)
LOCATIONThe Metropolitan Museum of Art
COLLECTIONDrawings and Prints
CREDIT LINEGift of Mrs. Charles Wrightsman, 2012

Step back in time to 1775 with Jacques-Louis David's "A Young Woman of Frascati." This early red chalk drawing reveals the foundational skills of the Neoclassical master, capturing a moment of quiet grace before his rise to fame.

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ABOUT THIS WORK

This intimate red chalk drawing, "A Young Woman of Frascati," offers a rare glimpse into Jacques-Louis David's early career, predating the grand Neoclassical history paintings for which he would become preeminent. Created in 1775, during or shortly after his first trip to Rome, this piece reflects a period when David was absorbing the classical world and the rich artistic traditions around him. While he is best known for his cerebral and austere compositions like "The Departure of Marcus Attilius Regulus for Carthage" or "Madame de Pastoret and Her Son," this drawing reveals a softer, more observational side. It captures a moment of quiet dignity, a departure from the Rococo frivolity that David would later help to replace with a more severe, heightened feeling. The choice of red chalk lends a warmth and immediacy to the portrait, emphasizing the humanity of the subject rather than a heroic ideal. This work stands as a testament to David's foundational skills in draftsmanship, a crucial element that would underpin his later, more monumental works.

ART MOVEMENTS
Academic artClassicismNeoclassicism
LOOK CLOSER

What to Notice

1

The delicate shading of her face and neck

2

The subtle curve of her smile

3

The soft folds of her head covering

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Audio Deep Dive

Step back in time to 1775 with Jacques-Louis David's "A Young Woman of Frascati." This early red chalk drawing reveals the foundational skills of the Neoclassi…

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THE ARTIST
Jacques-Louis David 1748–1825 · France

David survived revolution, prison, and exile to paint Napoleon's glory — and still died the most influential artist in France.

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