Women, Animals, and Foliage by Paul Gauguin

Women, Animals, and Foliage

Paul Gauguin · 1898

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“This dramatic woodcut draws you into a mysterious, interwoven world where human forms, animals, and nature merge, reflecting a search for primal connections far from European civilization.”

ABOUT THIS WORK

In this woodcut, a dense, almost primordial scene unfolds, filled with figures, animals, and lush foliage. The composition feels compressed, with forms carved directly into the woodblock, creating stark contrasts between dark and light. Look closely at the way the figures, possibly women, blend into the surrounding environment, their bodies echoing the curves of the trees and the patterns of the leaves. The print’s raw, unrefined quality, a direct result of the woodcut technique, enhances its sense of a remote, untamed world. This work was created in 1898, during a period when the artist was deeply immersed in his life in the South Pacific, seeking to express a sense of primal connection to nature and a departure from European artistic conventions.

DETAILS
Artist
Paul Gauguin
Date
1898
Medium
Woodcut printed in black ink
Location
The Metropolitan Museum of Art
Dimensions
image: 6 3/8 x 11 3/16 in. (16.2 x 28.4 cm) sheet: 9 x 11 15/16 in. (22.8 x 30.4 cm)
Collection
Drawings and Prints
Credit line
Anonymous Gift, 2003
ART MOVEMENTS
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What to Notice

Five details hide in plain sight. Pick one and we’ll show you exactly where to look.

Women, Animals, and Foliage

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01

Standing woman at left

The slim standing woman at far left holds out a small object. Her thin, delicate outline is set against the dark mass of her shadow.

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02

Seated pair

Two women sit close together at the bottom center, one leaning toward the other. Dark hair frames their faces and shoulders, and this grouping anchors the lower part of the print.

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03

Hatched hair shadow

Behind the right-hand seated woman, rows of parallel gouge marks build a dark, ribbed mass. You can see the carving tool's direct work in the block.

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04

Resting animal

An animal lies curled in a dark, rounded hollow in the upper center, beneath the branch. Its pale body stands out against the black shape around it.

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05

Veiled figure at right

On the far right, a tall figure wrapped in a hooded cloth stands apart from the others. Her face is rendered as a dark shape, which gives her a reserved, quiet presence.

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THE ARTIST

Paul Gauguin

1848–1903 · France

Paul Gauguin, the French Post-Impressionist, abandoned a stockbroker's life for art, famously seeking 'refuge from Western civilization' in Tahiti.

Read Gauguin’s full story
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Beyond Gauguin and Symbolism: works from the same years, and from the other movements Women, Animals, and Foliage belongs to.

Carmelina Same movement · Post-Impressionism Carmelina Henri Matisse · 1903 · Museum of Fine Arts Boston A Woman Walking in a Garden Same era · 1880s–1910s A Woman Walking in a Garden Vincent van Gogh · 1887 · Frans Buffa & sons The Old Guitarist Same movement · Post-Impressionism The Old Guitarist Pablo Picasso · 1903 · Art Institute of Chicago Still Life with Crayfish Same era · 1880s–1910s Still Life with Crayfish Mikhail Larionov · 1900 · Museum Ludwig Equestrienne (At the Cirque Fernando) Same movement · Post-Impressionism Equestrienne (At the Cirque Fernando) Henri de Toulouse-Lautrec · 1887 · Art Institute of Chicago Frauenkopf vor Sonnenblumen Same era · 1880s–1910s Frauenkopf vor Sonnenblumen Ernst Ludwig Kirchner · 1906 · Museum Frieder Burda After the Bullfight Same movement · Impressionism After the Bullfight Mary Cassatt · 1873 · Art Institute of Chicago A Sunday on La Grande Jatte — 1884 Same era · 1880s–1910s A Sunday on La Grande Jatte — 1884 Okada Saburosuke · 1884 · Art Institute of Chicago
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