“This zincograph by Paul Gauguin offers a powerful, almost unsettling portrayal of the "Old Women of Arles," showcasing his departure from Impressionism towards a more symbolic, emotionally charged style.”
In this zincograph from 1889, Paul Gauguin presents a stark, almost caricatured view of the "Old Women of Arles." The figures are rendered with heavy outlines and simplified forms, reflecting a move away from the delicate naturalism of Impressionism. Gauguin made this print as part of the "Volpini Suite," a series created during his stay in Arles, a period marked by his intense, yet ultimately fraught, collaboration with Vincent van Gogh. The composition, with its flattened perspective and dark, somber tones, emphasizes the women's isolation and perhaps the artist's own sense of detachment. The zincograph medium itself, a lesser-used printmaking technique, allowed for a directness in line and tone that suited Gauguin's evolving Symbolist aesthetic, capturing a raw, almost primitive energy that would become central to his later work.
- Artist
- Paul Gauguin
- Date
- 1889
- Medium
- zincograph
- Location
- Cleveland Museum of Art
- Dimensions
- [object Object]
- Collection
- Prints
- Culture
- France, 19th century
- Credit line
- Dudley P. Allen Fund
What to Notice
Four details hide in plain sight. Here’s where to look.
![Volpini Suite: Old Women of Arles (Les Vieilles Filles [Arles])](https://images.artwhisper.app/artworks/d582308a-af0e-4c7a-afe0-19c7d1f8ec02/995bebe8-d9ea-4709-9714-e489c9712f90_sm.jpg)
The exaggerated, almost mask-like faces of the women.
The heavy, dark outlines defining each figure and their clothing.
The flattened background, offering little sense of depth.
The somber palette, dominated by dark grays and blacks.
Stand in front of it and listen
The full narration walks you through Volpini Suite: Old Women of Arles (Les Vieilles Filles [Arles]) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Paul Gauguin
1848–1903 · FrancePaul Gauguin, the French Post-Impressionist, abandoned a stockbroker's life for art, famously seeking 'refuge from Western civilization' in Tahiti.
Further Works by Gauguin
The Seine at Pont de Grenelle
1875 · Wallraf–Richartz Museum
Still Life: Wood Tankard and Metal Pitcher
1880 · Art Institute of Chicago
The Little One Is Dreaming, Etude
1881 · Ordrupgaard
An Orchard under the Church of Bihorel
1884 · Thyssen-Bornemisza Museum
Blue roofs of Rouen
1884 · Museum collection Am Römerholz
Evening Primroses in a Vase
1885
Fruit
1886
Stil life with white vase
1886 · Kunsthaus Zürich
More from Symbolism
More works to explore
Beyond Gauguin and Symbolism: works from the same years, and from the other movements Volpini Suite: Old Women of Arles (Les Vieilles Filles [Arles]) belongs to.
Same movement · Post-Impressionism
Equestrienne (At the Cirque Fernando)
Henri de Toulouse-Lautrec · 1887 · Art Institute of Chicago
Same era · 1870s–1900s
A Woman Walking in a Garden
Vincent van Gogh · 1887 · Frans Buffa & sons
Same movement · Post-Impressionism
Carmelina
Henri Matisse · 1903 · Museum of Fine Arts Boston
Same era · 1870s–1900s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same movement · Post-Impressionism
The Old Guitarist
Pablo Picasso · 1903 · Art Institute of Chicago
Same era · 1870s–1900s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same movement · Impressionism
After the Bullfight
Mary Cassatt · 1873 · Art Institute of Chicago
Same era · 1870s–1900s
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same movement · Impressionism
A Turn in the Road
Alfred Sisley · 1873 · Art Institute of Chicago
Same era · 1870s–1900s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same movement · Post-Impressionism
Gustave Boyer (b. 1840) in a Straw Hat
Paul Cézanne · 1870 · The Metropolitan Museum of Art
Same era · 1870s–1900s
Woman in the Garden of Monsieur Forest
Henri de Toulouse-Lautrec · 1889 · The Metropolitan Museum of Art
Same movement · Impressionism
The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935)
Berthe Morisot · 1870 · Metropolitan Museum of Art
Same era · 1870s–1900s
Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red Dress
Paul Cézanne · 1888 · The Metropolitan Museum of Art
Same movement · Impressionism
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago
Same era · 1870s–1900s
Stacks of Wheat (End of Day, Autumn)
Claude Monet · 1890 · Art Institute of Chicago
Same movement · Impressionism
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1870s–1900s
Street in Moret
Alfred Sisley · 1890 · Art Institute of Chicago
Same movement · Impressionism
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1870s–1900s
Two Girls Reading in a Garden
Pierre-Auguste Renoir · 1890
Same movement · Impressionism
Beggar with Oysters (Philosopher)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1870s–1900s
Young Girl with Hat
Berthe Morisot · 1891 · Art Institute of Chicago
Same movement · Impressionism
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1870s–1900s
Cows Drinking at a Pool
William Hart · 1886 · Museum of Fine Arts Boston
![Volpini Suite: Old Women of Arles (Les Vieilles Filles [Arles]) by Paul Gauguin](https://images.artwhisper.app/artworks/d582308a-af0e-4c7a-afe0-19c7d1f8ec02/995bebe8-d9ea-4709-9714-e489c9712f90_lg.jpg)



