Volpini Suite: Design for a Plate: Leda and the Swan (Projet d'Assiette: Léda et le Cygne) by Paul Gauguin

Volpini Suite: Design for a Plate: Leda and the Swan (Projet d'Assiette: Léda et le Cygne)

Paul Gauguin · 1889

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“This striking print by Paul Gauguin reinterprets the classical myth of Leda and the Swan with bold lines and simplified forms, transforming a dramatic tale into an elegant, modern design for a plate.”

ABOUT THIS WORK

In this zincograph, Leda, a figure from Greek mythology, reclines almost languidly, her body a sinuous curve against a backdrop of swirling lines. The swan, Zeus in disguise, approaches from the right, its neck arcing gracefully to meet her. Gauguin’s design for a plate transforms a classical myth into something distinctly modern, flattening the forms and emphasizing strong outlines. This piece is part of the "Volpini Suite," a series of zincographs created for an exhibition at the Café des Arts (known as the Volpini Exhibition) in Paris. These prints allowed Gauguin to experiment with a simplified, symbolic style, moving away from the more naturalistic approaches of his contemporaries. The stark black and white composition draws attention to the interplay of forms, making the mythological encounter feel both intimate and monumental.

DETAILS
Artist
Paul Gauguin
Date
1889
Medium
zincograph
Location
Cleveland Museum of Art
Dimensions
[object Object]
ART MOVEMENTS
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What to Notice

Four details hide in plain sight. Here’s where to look.

Volpini Suite: Design for a Plate: Leda and the Swan (Projet d'Assiette: Léda et le Cygne)
01

The way Leda's body echoes the swan's neck, creating a unified form.

02

The stylized waves and clouds that fill the background.

03

The strong, dark outlines that define both figures.

04

The small, almost hidden face of a cherub peeking out near Leda's head.

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THE ARTIST

Paul Gauguin

1848–1903 · France

Paul Gauguin, the French Post-Impressionist, abandoned a stockbroker's life for art, famously seeking 'refuge from Western civilization' in Tahiti.

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Beyond Gauguin and Symbolism: works from the same years, and from the other movements Volpini Suite: Design for a Plate: Leda and the Swan (Projet d'Assiette: Léda et le Cygne) belongs to.

Equestrienne (At the Cirque Fernando) Same movement · Post-Impressionism Equestrienne (At the Cirque Fernando) Henri de Toulouse-Lautrec · 1887 · Art Institute of Chicago A Woman Walking in a Garden Same era · 1870s–1900s A Woman Walking in a Garden Vincent van Gogh · 1887 · Frans Buffa & sons Carmelina Same movement · Post-Impressionism Carmelina Henri Matisse · 1903 · Museum of Fine Arts Boston A Sunday on La Grande Jatte — 1884 Same era · 1870s–1900s A Sunday on La Grande Jatte — 1884 Okada Saburosuke · 1884 · Art Institute of Chicago The Old Guitarist Same movement · Post-Impressionism The Old Guitarist Pablo Picasso · 1903 · Art Institute of Chicago Madame Léon Clapisson Same era · 1870s–1900s Madame Léon Clapisson Léon-Victor Dupré · 1883 · Art Institute of Chicago After the Bullfight Same movement · Impressionism After the Bullfight Mary Cassatt · 1873 · Art Institute of Chicago Still Life with Crayfish Same era · 1870s–1900s Still Life with Crayfish Mikhail Larionov · 1900 · Museum Ludwig
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