“Stop to see this powerful depiction of a Native American family, the last survivors of their tribe, painted by Eugène Delacroix. It’s a poignant scene of resilience and vulnerability, marked by dramatic colors and emotional intensity.”
In this dramatic painting, a Native American family huddles together, seemingly adrift in a small canoe on a turbulent river. A young mother cradles her infant, her gaze directed towards the viewer with a mix of defiance and vulnerability. Beside her, a man, presumably the father, looks out with a stoic expression, his arm protectively around her. The scene is inspired by a passage from Chateaubriand’s novel Atala, which describes the last survivors of the Natchez tribe after a massacre by French forces. Delacroix captures a sense of both the family’s resilience and their profound isolation. The rich colors and dynamic brushwork, characteristic of Romanticism, heighten the emotional intensity of their plight. This work reflects a recurring fascination in Delacroix’s art with the theme of innocent persecution.
- Artist
- Eugène Delacroix
- Date
- 1835
- Location
- Metropolitan Museum of Art
What to Notice
Five details hide in plain sight. Here’s where to look.

The mother’s direct, piercing gaze towards the viewer.
The intricate patterns and vibrant colors of their clothing and jewelry.
The turbulent, dark waters around the canoe, suggesting danger.
The infant, nestled securely in the mother’s arms, a symbol of hope.
1 more detail is waiting.
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Eugène Delacroix
1798–1863 · FranceFrench Romantic master whose 'Lion Hunt' and exotic scenes revolutionized color and movement in 19th-century art.
Further Works by Delacroix
Male Academy Figure: Half-Length, Side View
1819 · Karen B. Cohen Collection
The Combat of the Giaour and Hassan
1826 · Art Institute of Chicago
Hamlet and Horatio in the Graveyard
1839 · Department of Paintings of the Louvre
Arab Horseman Attacked by a Lion
1849 · Art Institute of Chicago
Lion Hunt
1858 · Museum of Fine Arts Boston
Jane Shore
1828 · Art Institute of Chicago
Studies of a Horse in Profile
1823 · The Metropolitan Museum of Art
Sheet of Sketches
1826 · Art Institute of Chicago
More from Romanticism
More works to explore
Beyond Delacroix and Romanticism: works from the same years, and from the other movements The Natchez belongs to.
Same movement · Academic art
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1820s–1850s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same movement · Academic art
Head of a Child
Jacques-Louis David · 1768 · The Metropolitan Museum of Art
Same era · 1820s–1850s
Disaster at Sea
J. M. W. Turner · 1835 · National Gallery
Same movement · Academic art
The Entombment of Christ
Caravaggio · 1600 · Pinacoteca Vaticana
Same era · 1820s–1850s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same movement · Academic art
Drunkenness of Noah
Michelangelo · 1509 · Sistine Chapel
Same era · 1820s–1850s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same movement · Academic art
Mona Lisa
Leonardo da Vinci · 1503 · Department of Paintings of the Louvre
Same era · 1820s–1850s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same movement · Academic art
Lucretia
Raphael · Metropolitan Museum of Art
Same era · 1820s–1850s
Wooded Landscape
Gustave Courbet · 1848 · Art Institute of Chicago
Same era · 1820s–1850s
Mount Chocorua and Moat Mountain from North Conway
William Hart · 1850
Same era · 1820s–1850s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same era · 1820s–1850s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1820s–1850s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1820s–1850s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1820s–1850s
Designs for a Decorated Dish, or Platter, and a Biscuit Barrel
Alfred Henry Forrester [Alfred Crowquill] · 1845 · The Metropolitan Museum of Art




