“This dramatic zincograph plunges you into the untamed power of the Breton sea, a powerful example of how Gauguin used printmaking to explore raw emotion and the wildness of nature.”
A powerful zincograph, this print from Gauguin's Volpini Suite captures the raw energy of the sea off the coast of Brittany. The turbulent waves crash against a rocky shore, rendered with a dramatic, almost theatrical intensity. The dark, brooding sky presses down, emphasizing the isolation of the scene. Rather than a picturesque vista, this image evokes a primal force, a confrontation between nature's power and the rugged landscape. Created in 1889, it reflects a period when the artist was deeply engaged with printmaking, exploring how the stark contrasts of black and white could convey emotional depth and a sense of untamed wilderness. The work's starkness and simplified forms foreshadow his later, more famous explorations of Symbolism.
- Artist
- Paul Gauguin
- Date
- 1889
- Medium
- Zincograph on chrome yellow wove paper; first edition
- Location
- The Metropolitan Museum of Art
- Dimensions
- 6 9/16 x 8 7/8 in. (16.7 x 22.5 cm)
- Collection
- Drawings and Prints
- Credit line
- Rogers Fund, 1922
What to Notice
Four details hide in plain sight. Here’s where to look.

The stark contrast between the dark sky and the frothing white waves.
The jagged, almost abstract forms of the rocks in the foreground.
The absence of any human figures, emphasizing nature's dominance.
The diagonal lines of the waves, creating a sense of dynamic movement.
Stand in front of it and listen
The full narration walks you through The Drama of the Sea, Brittany, from the Volpini Suite: Dessins lithographiques — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Paul Gauguin
1848–1903 · FrancePaul Gauguin, the French Post-Impressionist, abandoned a stockbroker's life for art, famously seeking 'refuge from Western civilization' in Tahiti.
Further Works by Gauguin
("Leda") Design for a Plate: Shame on Those Who Evil Think (Honi Soit Qui Mal y Pense) ; cover illustration for the "Volpini Suite" entitled Lithographic Drawings (Dessins lithographiques)
1889 · The Metropolitan Museum of Art
Ia Orana Maria (Hail Mary)
1891 · The Metropolitan Museum of Art
Tahitian Women Bathing
1892 · The Metropolitan Museum of Art
The Siesta
1892 · The Metropolitan Museum of Art
A Farm in Brittany
1894 · The Metropolitan Museum of Art
Still Life with Teapot and Fruit
1896 · The Metropolitan Museum of Art
Three Tahitian Women
1896 · The Metropolitan Museum of Art
Two Tahitian Women
1899 · The Metropolitan Museum of Art
More from Symbolism
More works to explore
Beyond Gauguin and Symbolism: works from the same years, and from the other movements The Drama of the Sea, Brittany, from the Volpini Suite: Dessins lithographiques belongs to.
Same movement · Post-Impressionism
Equestrienne (At the Cirque Fernando)
Henri de Toulouse-Lautrec · 1887 · Art Institute of Chicago
Same era · 1870s–1900s
A Woman Walking in a Garden
Vincent van Gogh · 1887 · Frans Buffa & sons
Same movement · Post-Impressionism
Carmelina
Henri Matisse · 1903 · Museum of Fine Arts Boston
Same era · 1870s–1900s
A Sunday on La Grande Jatte — 1884
Okada Saburosuke · 1884 · Art Institute of Chicago
Same movement · Post-Impressionism
The Old Guitarist
Pablo Picasso · 1903 · Art Institute of Chicago
Same era · 1870s–1900s
Madame Léon Clapisson
Léon-Victor Dupré · 1883 · Art Institute of Chicago
Same movement · Impressionism
After the Bullfight
Mary Cassatt · 1873 · Art Institute of Chicago
Same era · 1870s–1900s
Still Life with Crayfish
Mikhail Larionov · 1900 · Museum Ludwig
Same movement · Impressionism
A Turn in the Road
Alfred Sisley · 1873 · Art Institute of Chicago
Same era · 1870s–1900s
Paris Street; Rainy Day
Kawabata Gyokushō · 1877 · Art Institute of Chicago
Same movement · Post-Impressionism
Gustave Boyer (b. 1840) in a Straw Hat
Paul Cézanne · 1870 · The Metropolitan Museum of Art
Same era · 1870s–1900s
Woman in the Garden of Monsieur Forest
Henri de Toulouse-Lautrec · 1889 · The Metropolitan Museum of Art
Same movement · Impressionism
The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935)
Berthe Morisot · 1870 · Metropolitan Museum of Art
Same era · 1870s–1900s
Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red Dress
Paul Cézanne · 1888 · The Metropolitan Museum of Art
Same movement · Impressionism
The Beach at Sainte-Adresse
Claude Monet · 1867 · Art Institute of Chicago
Same era · 1870s–1900s
Stacks of Wheat (End of Day, Autumn)
Claude Monet · 1890 · Art Institute of Chicago
Same movement · Impressionism
The Banks of the Marne in Winter
Camille Pissarro · 1866 · Art Institute of Chicago
Same era · 1870s–1900s
Street in Moret
Alfred Sisley · 1890 · Art Institute of Chicago
Same movement · Impressionism
Alfred Sisley
Pierre-Auguste Renoir · 1864 · Foundation E.G. Bührle Collection
Same era · 1870s–1900s
Two Girls Reading in a Garden
Pierre-Auguste Renoir · 1890
Same movement · Impressionism
Beggar with Oysters (Philosopher)
Édouard Manet · 1864 · Art Institute of Chicago
Same era · 1870s–1900s
Young Girl with Hat
Berthe Morisot · 1891 · Art Institute of Chicago
Same movement · Impressionism
Young Spartan Girls Challenging Boys
Edgar Degas · 1860 · Art Institute of Chicago
Same era · 1870s–1900s
Cows Drinking at a Pool
William Hart · 1886 · Museum of Fine Arts Boston




