“Stop and observe this intimate watercolor, a rare glimpse into the personal lives of a Moroccan Jewish family, captured with vivid detail and emotional depth by Delacroix during his travels.”
This watercolor captures a tender, intimate moment between Saada, the wife of Abraham Ben-Chimol, and their daughter Préciada, during a journey through Morocco. Saada, dressed in traditional attire, gazes directly out at us, her expression a mix of curiosity and composure. Her left arm gently encircles Préciada, who leans against her mother, looking down shyly. The rich colors and textures of their clothing are rendered with a vibrant immediacy, from Saada's patterned headscarf to the deep blue of her tunic and Préciada's striped garment. This work is a fascinating glimpse into the domestic life of a Jewish family in North Africa, a subject Delacroix explored during his 1832 trip, which profoundly influenced his Romantic vision of the 'Orient.'
- Artist
- Eugène Delacroix
- Date
- 1832
- Medium
- Watercolor over graphite on wove paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- 8-3/4 x 6-3/8 in. (22.2 x 16.2 cm)
- Collection
- Drawings and Prints
- Credit line
- Bequest of Walter C. Baker, 1971
What to Notice
Four details hide in plain sight. Here’s where to look.

Saada's intricate headscarf and the delicate patterns on her clothing.
The way Préciada leans into her mother, conveying a sense of security.
The subtle blush on Saada's cheeks, suggesting a hint of warmth.
The soft, diffused light that illuminates their faces and garments.
Stand in front of it and listen
The full narration walks you through Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Eugène Delacroix
1798–1863 · FranceFrench Romantic master whose 'Lion Hunt' and exotic scenes revolutionized color and movement in 19th-century art.
Further Works by Delacroix
Male Academy Figure: Half-Length, Side View
1819 · Karen B. Cohen Collection
The Combat of the Giaour and Hassan
1826 · Art Institute of Chicago
Hamlet and Horatio in the Graveyard
1839 · Department of Paintings of the Louvre
Arab Horseman Attacked by a Lion
1849 · Art Institute of Chicago
Lion Hunt
1858 · Museum of Fine Arts Boston
Jane Shore
1828 · Art Institute of Chicago
Studies of a Horse in Profile
1823 · The Metropolitan Museum of Art
Study of Bodies "Liberty Leading the People"
1830 · The Metropolitan Museum of Art
More from Romanticism
More works to explore
Beyond Delacroix and Romanticism: works from the same years, and from the other movements Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters belongs to.
Same movement · Academic art
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1810s–1840s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same movement · Academic art
Head of a Child
Jacques-Louis David · 1768 · The Metropolitan Museum of Art
Same era · 1810s–1840s
Two Women with a Letter
J. M. W. Turner · 1830 · National Gallery
Same movement · Academic art
The Entombment of Christ
Caravaggio · 1600 · Pinacoteca Vaticana
Same era · 1810s–1840s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same movement · Academic art
Drunkenness of Noah
Michelangelo · 1509 · Sistine Chapel
Same era · 1810s–1840s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same movement · Academic art
Mona Lisa
Leonardo da Vinci · 1503 · Department of Paintings of the Louvre
Same era · 1810s–1840s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same movement · Academic art
Lucretia
Raphael · Metropolitan Museum of Art
Same era · 1810s–1840s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1810s–1840s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same era · 1810s–1840s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1810s–1840s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1810s–1840s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1810s–1840s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art
Same era · 1810s–1840s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones · 1819 · Art Institute of Chicago




