“This powerful drawing by Jacques-Louis David is a study for his famous painting, capturing the heart-wrenching moment Brutus receives the bodies of his sons, whom he condemned for the good of Rome. It’s a stark depiction of civic duty versus personal sacrifice.”
This drawing captures a pivotal moment of Roman stoicism and tragedy, depicting the lictors (civic guards) returning the bodies of Brutus's sons to their family. Brutus, a founder of the Roman Republic, had condemned his own sons to death for treason, placing civic duty above paternal love. The scene unfolds with stark drama: the rigid, shadowed figure of Brutus sits in the foreground, his back to the viewer, embodying an almost unbearable grief and resolve. His wife and daughters, by contrast, are consumed by raw emotion, their bodies contorted in anguish. This study, rendered in black chalk and brown ink, highlights the powerful contrast between male fortitude and female despair, a theme central to Neoclassical art. The composition emphasizes the emotional weight of the narrative, preparing for the larger, finished oil painting (now in the Louvre) that would become one of the most iconic images of the era.
- Artist
- Jacques-Louis David
- Date
- 1785
- Medium
- Black chalk and brown ink on paper
- Location
- The Metropolitan Museum of Art
- Dimensions
- 9 7/16 x 12 1/8 in. (23.9 x 30.8 cm)
- Collection
- Robert Lehman Collection
- Credit line
- Robert Lehman Collection, 1975
What to Notice
Five details hide in plain sight. Here’s where to look.

Brutus's rigid posture, back to us, conveying immense, controlled grief.
The distraught women's gestures, particularly the daughter reaching out.
The lictors' somber procession, carrying the draped bodies.
The contrast between the male stoicism and female lamentation.
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Jacques-Louis David
1748–1825 · FranceDavid survived revolution, prison, and exile to paint Napoleon's glory — and still died the most influential artist in France.
Further Works by David
Andromache Mourning Hector
1783 · Pushkin Museum of Fine Arts
Napoleon Crossing the Alps
1800 · Musée national de Malmaison et Bois-Préau
Head of a Child
1768 · The Metropolitan Museum of Art
The Lictors Bringing Brutus the Bodies of his Sons
1787 · The Metropolitan Museum of Art
Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836)
1788 · The Metropolitan Museum of Art
General Étienne-Maurice Gérard (1773–1852)
1816 · The Metropolitan Museum of Art
Madame François Buron
1769 · Art Institute of Chicago
Patroclus
1780 · Musée Thomas-Henry
More from Academic art
More works to explore
Beyond David and Academic art: works from the same years, and from the other movements Study for The Lictors Bringing Brutus the Bodies of his Sons belongs to.
Same movement · Neoclassicism
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1770s–1800s
A Limekiln, Possibly at Briton Ferry in South Wales
J. M. W. Turner · 1797 · Yale Center for British Art
Same era · 1770s–1800s
The Monk by the Sea
Caspar David Friedrich · 1800 · Alte Nationalgalerie
Same era · 1770s–1800s
Louis-Philippe-Joseph, Duke of Orleans 'Philippe Egalité' (1747-1793) (after Sir Joshua Reynolds)
Samuel Drummond · 1785 · National Trust
Same era · 1770s–1800s
Portrait of a Man
Benjamin West · 1790 · Art Institute of Chicago
Same era · 1770s–1800s
Milton Dictating to His Daughter
Henry Fuseli · 1794 · Art Institute of Chicago
Same era · 1770s–1800s
Portrait of a Lady
John Smart of Ipswich · 1773 · Yale Center for British Art
Same era · 1770s–1800s
Mrs Jackson
Thomas Stewardson · 1800 · Abbot Hall Art Gallery
Same era · 1770s–1800s
Self-Portrait
Francisco Goya · 1783 · Musée des Beaux-Arts d'Agen
Same era · 1770s–1800s
Sappho embracing Love
John Mannin · 1786 · The Metropolitan Museum of Art
Same era · 1770s–1800s
The Right Honorable Henry Fox, Lord Holland
William Hogarth · 1782 · The Metropolitan Museum of Art
Same era · 1770s–1800s
Punch Bowl
Artist Unknown - The Mercat Cross, Aberdeen · 1789 · Art Institute of Chicago
Same era · 1770s–1800s
Looking Glass
unknown composer author · 1790 · Art Institute of Chicago




