“Stop and look closely at these rapid, energetic sketches of lions. They reveal a Romantic artist's dedication to capturing the raw power and movement of nature through direct observation, offering a window into his creative process.”
This sheet of studies offers a rare glimpse into the creative process behind a larger work, specifically a print of a lion. You can see several different poses for the powerful animal, captured in graphite on cream laid paper. One lion is shown in a more relaxed, almost contemplative state, while another appears mid-stride, perhaps stalking prey. The quick, energetic lines suggest the artist was working rapidly, trying to capture the essence of the animal's movement and form. These sketches were likely made during one of the artist's frequent visits to the Jardin des Plantes zoo, where he even secured special permission to observe the lions being fed before public hours. This dedication to direct observation allowed for the kind of anatomical accuracy and dynamic energy seen here, which was central to the Romantic movement's emphasis on emotion and the raw power of nature.
- Artist
- Eugène Delacroix
- Date
- 1829
- Medium
- Graphite on cream laid paper
- Location
- Art Institute of Chicago
- Dimensions
- 22.7 × 34.2 cm (8 15/16 × 13 1/2 in.)
- Collection
- Prints and Drawings
- Culture
- France
- Credit line
- David Adler Collection
What to Notice
Four details hide in plain sight. Here’s where to look.

Two distinct expressions on the lions' faces.
The subtle shading that gives the lions' bodies volume.
The faint outlines of additional, discarded poses.
The way the graphite captures the texture of fur.
Stand in front of it and listen
The full narration walks you through Studies of Lions — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Eugène Delacroix
1798–1863 · FranceFrench Romantic master whose 'Lion Hunt' and exotic scenes revolutionized color and movement in 19th-century art.
Further Works by Delacroix
The Combat of the Giaour and Hassan
1826 · Art Institute of Chicago
Arab Horseman Attacked by a Lion
1849 · Art Institute of Chicago
Male Academy Figure: Half-Length, Side View
1819 · Karen B. Cohen Collection
Hamlet and Horatio in the Graveyard
1839 · Department of Paintings of the Louvre
Lion Hunt
1858 · Museum of Fine Arts Boston
Jane Shore
1828 · Art Institute of Chicago
Sheet of Sketches
1826 · Art Institute of Chicago
Mephistopheles Appearing to Faust
1828 · Art Institute of Chicago
More from Romanticism
More works to explore
Beyond Delacroix and Romanticism: works from the same years, and from the other movements Studies of Lions belongs to.
Same movement · Academic art
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres · 1823 · Art Institute of Chicago
Same era · 1810s–1840s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same movement · Academic art
Head of a Child
Jacques-Louis David · 1768 · The Metropolitan Museum of Art
Same era · 1810s–1840s
The Loretto Necklace
J. M. W. Turner · 1829 · National Gallery
Same movement · Academic art
The Entombment of Christ
Caravaggio · 1600 · Pinacoteca Vaticana
Same era · 1810s–1840s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same movement · Academic art
Drunkenness of Noah
Michelangelo · 1509 · Sistine Chapel
Same era · 1810s–1840s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same movement · Academic art
Mona Lisa
Leonardo da Vinci · 1503 · Department of Paintings of the Louvre
Same era · 1810s–1840s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same movement · Academic art
Lucretia
Raphael · Metropolitan Museum of Art
Same era · 1810s–1840s
The Virgin Adoring the Host
Jean-Auguste-Dominique Ingres · 1841 · Pushkin Museum of Fine Arts
Same era · 1810s–1840s
Young Woman
Jean-François Millet · 1844 · Art Institute of Chicago
Same era · 1810s–1840s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1810s–1840s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1810s–1840s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art
Same era · 1810s–1840s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones · 1819 · Art Institute of Chicago
Same era · 1810s–1840s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago




