“This self-portrait captures Andy Warhol in 1964, using a silkscreened photo booth image and shimmering silver paint to create an enigmatic and iconic representation of himself. It's a key early work exploring identity and public persona.”
In this striking self-portrait, a young Andy Warhol confronts the viewer directly, his eyes obscured by dark glasses. The silver paint on the canvas shimmers, giving his face a ghostly, almost ethereal quality. This isn't a traditional likeness; instead, it's a silkscreened image derived from a photo booth picture, a technique that blurs the line between photography and painting, and between mass production and individual identity. The work, created in 1964, marks an early and pivotal moment in Warhol's career-long fascination with how identity is constructed, particularly his own public persona. He was famously elusive about his background, preferring to create a new narrative each time he was asked. Here, he presents himself not as a transparent individual, but as an enigma, a figure both present and deliberately obscured.
- Artist
- Andy Warhol
- Date
- 1964
- Medium
- Acrylic, silver paint, and silkscreen ink on linen
- Location
- Art Institute of Chicago
- Dimensions
- 50.8 × 40.6 cm (20 × 16 in.)
- Collection
- Contemporary Art
- Culture
- United States
- Credit line
- Gift of Edlis Neeson Collection
What to Notice
Four details hide in plain sight. Here’s where to look.

The way the silver paint catches the light, making the face seem to glow.
The dark, impenetrable glasses that hide the artist's eyes.
The silkscreen texture, visible in the subtle dots and lines of the image.
The stark contrast between the pale face and the dark background.
Stand in front of it and listen
The full narration walks you through Self-Portrait — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Andy Warhol
1928–1987 · United StatesAndy Warhol transformed everyday objects and celebrity portraits into iconic art, blurring the lines between high culture and mass media.
Further Works by Warhol
Liz #3 [Early Colored Liz]
1963 · Art Institute of Chicago
Four Mona Lisas
1978 · Art Institute of Chicago
Pat Hearn
1985 · Art Institute of Chicago
Flowers
1964 · Cleveland Museum of Art
Nude (Red)
1986
Marilyn Monroe (Marilyn)
1967 · Art Institute of Chicago
Nude Model (Male)
1977 · Art Institute of Chicago
More from Postmodernism
More works to explore
Beyond Warhol and Postmodernism: works from the same years, and from the other movements Self-Portrait belongs to.
Same movement · Pop Art
Sun Spot
Yayoi Kusama · 1953 · Art Institute of Chicago
Same era · 1940s–1970s
Greyed Rainbow
Jackson Pollock · 1953 · Art Institute of Chicago
Same movement · Pop Art
Alka Seltzer
Roy Lichtenstein · 1966 · Art Institute of Chicago
Same era · 1940s–1970s
Essai
Sam Francis · 1963 · Art Institute of Chicago
Same era · 1940s–1970s
La grande bellezza
Pierre Alechinsky · 1965
Same era · 1940s–1970s
Impregnazione
Piero Manzoni · 1958
Same era · 1940s–1970s
Captain Joseph Medill Patterson
Ivan Puni · 1962 · Art Institute of Chicago
Same era · 1940s–1970s
Woman at the Piano
Philip Evergood · 1955 · Smithsonian American Art Museum
Same era · 1940s–1970s
Nude under a Pine Tree
Pablo Picasso · 1959 · Art Institute of Chicago
Same era · 1940s–1970s
Untitled (Brown and Gray)
Mark Rothko · 1969 · The Metropolitan Museum of Art
Same era · 1940s–1970s
The Banquet
René Magritte · 1958 · Art Institute of Chicago
Same era · 1940s–1970s
Mirror #3 (Six Panels)
Roy Lichtenstein · 1971 · Art Institute of Chicago
Same era · 1940s–1970s
Corpse and Mirror II
Jasper Johns · 1974 · Art Institute of Chicago
Same era · 1940s–1970s
Figure with Meat
Francis Bacon · 1954 · Art Institute of Chicago




