Jasper Johns, 1974
Jasper Johns's "Corpse and Mirror II" is a thought-provoking work from a master of American postwar art, inviting you to ponder the nature of perception through its layered and enigmatic forms.
Jasper Johns's "Corpse and Mirror II" is a compelling example of his work from the mid-1970s, a period where he continued to explore themes of perception, representation, and the nature of art itself. Johns, a central figure in American postwar art, is often associated with movements like Neo-Dada and Pop Art, known for challenging the conventions of Abstract Expressionism. This piece, created in 1974, showcases his characteristic use of familiar motifs and a complex layering of imagery. The title itself, "Corpse and Mirror," hints at a dialogue between absence and reflection, reality and illusion, a recurring tension in Johns's oeuvre. While specific details about this particular work are not provided, it aligns with his broader practice of employing everyday objects and symbols—like targets, flags, and numbers seen in other works such as "Target" (1961) and "Alphabet" (1959)—to question how we see and understand the world around us. His meticulous technique and intellectual rigor invite viewers to look beyond the surface and engage with the deeper conceptual underpinnings of his art.
Overlapping, fragmented imagery
Subtle shifts in texture and color
Ambiguous forms that challenge recognition
Jasper Johns's "Corpse and Mirror II" is a thought-provoking work from a master of American postwar art, inviting you to ponder the nature of perception throug…
Jasper Johns redefined American art by painting everyday objects like flags and targets, challenging perceptions of art and representation.
Read Jasper's full story in Art Whisper