Portrait of Sylvester (Douglas), Lord Glenbervie by Jean-Auguste-Dominique Ingres

Portrait of Sylvester (Douglas), Lord Glenbervie

Jean-Auguste-Dominique Ingres · 1815

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“Stop to appreciate the exquisite detail in this etched portrait of Lord Glenbervie, a testament to the refined draftsmanship and meticulous observation characteristic of Ingres's work.”

ABOUT THIS WORK

In this etching, Sylvester Douglas, Lord Glenbervie, gazes out with a directness that suggests both his public persona and a hint of private contemplation. The intricate lines of his formal attire, from the delicate ruffles of his cravat to the precise folds of his coat, are rendered with a meticulousness that defines Neoclassical portraiture. Ingres, working in Rome around 1815, captured many such figures of the British expatriate community and visiting dignitaries. Here, the precision of the etched lines creates a strong sense of texture and depth, particularly in the way light catches the fabric and illuminates the contours of his face. This work exemplifies the period's ideal of capturing an individual's intellectual and social standing through careful observation and refined draftsmanship, presenting a man of influence with quiet authority.

DETAILS
Artist
Jean-Auguste-Dominique Ingres
Date
1815
Medium
Etching
Location
The Metropolitan Museum of Art
Dimensions
Sheet: 25 3/16 × 16 15/16 in. (64 × 43 cm)
Collection
Drawings and Prints
Credit line
Harris Brisbane Dick Fund, 1923
ART MOVEMENTS
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What to Notice

Four details hide in plain sight. Here’s where to look.

Portrait of Sylvester (Douglas), Lord Glenbervie
01

The fine cross-hatching that gives texture to his coat.

02

The subtle shading around his eyes and mouth, conveying expression.

03

The elegant script of his name and title below the portrait.

04

The precise rendering of his cravat and shirt ruffles.

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THE ARTIST

Jean-Auguste-Dominique Ingres

1780–1867 · France

Jean-Auguste-Dominique Ingres, a French Neoclassical painter, masterfully blended academic tradition with expressive distortions, influencing modernists like Matisse and Picasso.

Read Ingres’s full story
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