“Stop to appreciate the exquisite detail in this etched portrait of Lord Glenbervie, a testament to the refined draftsmanship and meticulous observation characteristic of Ingres's work.”
In this etching, Sylvester Douglas, Lord Glenbervie, gazes out with a directness that suggests both his public persona and a hint of private contemplation. The intricate lines of his formal attire, from the delicate ruffles of his cravat to the precise folds of his coat, are rendered with a meticulousness that defines Neoclassical portraiture. Ingres, working in Rome around 1815, captured many such figures of the British expatriate community and visiting dignitaries. Here, the precision of the etched lines creates a strong sense of texture and depth, particularly in the way light catches the fabric and illuminates the contours of his face. This work exemplifies the period's ideal of capturing an individual's intellectual and social standing through careful observation and refined draftsmanship, presenting a man of influence with quiet authority.
- Artist
- Jean-Auguste-Dominique Ingres
- Date
- 1815
- Medium
- Etching
- Location
- The Metropolitan Museum of Art
- Dimensions
- Sheet: 25 3/16 × 16 15/16 in. (64 × 43 cm)
- Collection
- Drawings and Prints
- Credit line
- Harris Brisbane Dick Fund, 1923
What to Notice
Four details hide in plain sight. Here’s where to look.

The fine cross-hatching that gives texture to his coat.
The subtle shading around his eyes and mouth, conveying expression.
The elegant script of his name and title below the portrait.
The precise rendering of his cravat and shirt ruffles.
Stand in front of it and listen
The full narration walks you through Portrait of Sylvester (Douglas), Lord Glenbervie — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Jean-Auguste-Dominique Ingres
1780–1867 · FranceJean-Auguste-Dominique Ingres, a French Neoclassical painter, masterfully blended academic tradition with expressive distortions, influencing modernists like Matisse and Picasso.
Further Works by Ingres
Joseph-Antoine Moltedo (born 1775)
1805 · The Metropolitan Museum of Art
Amédée-David, the Comte de Pastoret
1823 · Art Institute of Chicago
The Virgin Adoring the Host
1841 · Pushkin Museum of Fine Arts
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
1853 · Metropolitan Museum of Art
Frederic Sylvester Douglas
1815 · Art Institute of Chicago
Gabriel Cortois de Pressigny
1816 · Art Institute of Chicago
Pierre Alexandre Tardieu
1825 · Art Institute of Chicago
View of Saint Peter's in Rome
Art Institute of Chicago
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