“This striking graphite portrait captures the French engraver Pierre Alexandre Tardieu with remarkable detail and psychological depth. It’s a prime example of how a simple drawing can reveal the character of its subject.”
In this intimate graphite portrait, the French engraver Pierre Alexandre Tardieu gazes directly out at us, his expression thoughtful and composed. His face, rendered with delicate precision, is framed by a neatly tied cravat and the high collar of his coat, details that anchor him firmly in the fashion of the 1820s. The artist, Jean-Auguste-Dominique Ingres, uses the subtle gradations of graphite to give Tardieu's features a remarkable sense of volume and presence, from the curve of his brow to the subtle shadows beneath his chin. This drawing exemplifies the Neoclassical ideal of clarity and refined draftsmanship, focusing on the individual's character through precise observation. It’s a testament to the power of a simple pencil to capture both likeness and an inner world.
- Artist
- Jean-Auguste-Dominique Ingres
- Date
- 1825
- Medium
- Graphite on cream wove paper, laid down on ivory laid paper, and stretched on a wooden stretcher
- Location
- Art Institute of Chicago
- Dimensions
- 24.2 × 18.6 cm (9 9/16 × 7 3/8 in.)
What to Notice
Five details hide in plain sight. Here’s where to look.

Observe the subtle play of light and shadow on Tardieu's forehead.
Notice the delicate rendering of his hair, parted neatly to one side.
See how the crisp folds of his cravat are defined with fine lines.
Look at the texture suggested in his coat, achieved with varying pressure.
1 more detail is waiting.
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Jean-Auguste-Dominique Ingres
1780–1867 · FranceJean-Auguste-Dominique Ingres, a French Neoclassical painter, masterfully blended academic tradition with expressive distortions, influencing modernists like Matisse and Picasso.
Further Works by Ingres
Amédée-David, the Comte de Pastoret
1823 · Art Institute of Chicago
Joseph-Antoine Moltedo (born 1775)
1805 · The Metropolitan Museum of Art
The Virgin Adoring the Host
1841 · Pushkin Museum of Fine Arts
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
1853 · Metropolitan Museum of Art
Frederic Sylvester Douglas
1815 · Art Institute of Chicago
Gabriel Cortois de Pressigny
1816 · Art Institute of Chicago
View of Saint Peter's in Rome
Art Institute of Chicago
Sheet of Studies with the Head of the Fornarina and Hands of Madame de Senonnes
1814 · Art Institute of Chicago
More from Romanticism
More works to explore
Beyond Ingres and Romanticism: works from the same years, and from the other movements Pierre Alexandre Tardieu belongs to.
Same movement · Academic art
The Combat of the Giaour and Hassan
Eugène Delacroix · 1826 · Art Institute of Chicago
Same era · 1810s–1840s
The Estuary Farm
Léon-Victor Dupré · 1831 · Art Institute of Chicago
Same movement · Neoclassicism
Head of a Child
Jacques-Louis David · 1768 · The Metropolitan Museum of Art
Same era · 1810s–1840s
Death on a pale horse
J. M. W. Turner · 1825 · National Gallery
Same movement · Academic art
The Entombment of Christ
Caravaggio · 1600 · Pinacoteca Vaticana
Same era · 1810s–1840s
The Fortune Teller (La Bonne Aventure)
Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco
Same movement · Academic art
Drunkenness of Noah
Michelangelo · 1509 · Sistine Chapel
Same era · 1810s–1840s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same movement · Academic art
Mona Lisa
Leonardo da Vinci · 1503 · Department of Paintings of the Louvre
Same era · 1810s–1840s
Two Men Contemplating the Moon
Caspar David Friedrich · 1819 · Staatliche Kunstsammlungen Dresden
Same movement · Academic art
Lucretia
Raphael · Metropolitan Museum of Art
Same era · 1810s–1840s
Hamlet and Horatio in the Graveyard
Eugène Delacroix · 1839 · Department of Paintings of the Louvre
Same era · 1810s–1840s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1810s–1840s
The Five Points
Artist Unknown - The Mercat Cross, Aberdeen · 1822 · The Metropolitan Museum of Art
Same era · 1810s–1840s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1810s–1840s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones · 1819 · Art Institute of Chicago
Same era · 1810s–1840s
Woman in a Blue Dress
School of William Matthew Prior · 1840 · Art Institute of Chicago
Same era · 1810s–1840s
Mrs Jane Romney (1786–1861)
Thomas Stewardson · 1825 · Lady Lever Art Gallery




