Pierre Alexandre Tardieu by Jean-Auguste-Dominique Ingres

Pierre Alexandre Tardieu

Jean-Auguste-Dominique Ingres · 1825

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“This striking graphite portrait captures the French engraver Pierre Alexandre Tardieu with remarkable detail and psychological depth. It’s a prime example of how a simple drawing can reveal the character of its subject.”

ABOUT THIS WORK

In this intimate graphite portrait, the French engraver Pierre Alexandre Tardieu gazes directly out at us, his expression thoughtful and composed. His face, rendered with delicate precision, is framed by a neatly tied cravat and the high collar of his coat, details that anchor him firmly in the fashion of the 1820s. The artist, Jean-Auguste-Dominique Ingres, uses the subtle gradations of graphite to give Tardieu's features a remarkable sense of volume and presence, from the curve of his brow to the subtle shadows beneath his chin. This drawing exemplifies the Neoclassical ideal of clarity and refined draftsmanship, focusing on the individual's character through precise observation. It’s a testament to the power of a simple pencil to capture both likeness and an inner world.

DETAILS
Artist
Jean-Auguste-Dominique Ingres
Date
1825
Medium
Graphite on cream wove paper, laid down on ivory laid paper, and stretched on a wooden stretcher
Location
Art Institute of Chicago
Dimensions
24.2 × 18.6 cm (9 9/16 × 7 3/8 in.)
ART MOVEMENTS
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What to Notice

Five details hide in plain sight. Here’s where to look.

Pierre Alexandre Tardieu
01

Observe the subtle play of light and shadow on Tardieu's forehead.

02

Notice the delicate rendering of his hair, parted neatly to one side.

03

See how the crisp folds of his cravat are defined with fine lines.

04

Look at the texture suggested in his coat, achieved with varying pressure.

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THE ARTIST

Jean-Auguste-Dominique Ingres

1780–1867 · France

Jean-Auguste-Dominique Ingres, a French Neoclassical painter, masterfully blended academic tradition with expressive distortions, influencing modernists like Matisse and Picasso.

Read Ingres’s full story
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Beyond Ingres and Romanticism: works from the same years, and from the other movements Pierre Alexandre Tardieu belongs to.

The Combat of the Giaour and Hassan Same movement · Academic art The Combat of the Giaour and Hassan Eugène Delacroix · 1826 · Art Institute of Chicago The Estuary Farm Same era · 1810s–1840s The Estuary Farm Léon-Victor Dupré · 1831 · Art Institute of Chicago Head of a Child Same movement · Neoclassicism Head of a Child Jacques-Louis David · 1768 · The Metropolitan Museum of Art Death on a pale horse Same era · 1810s–1840s Death on a pale horse J. M. W. Turner · 1825 · National Gallery The Entombment of Christ Same movement · Academic art The Entombment of Christ Caravaggio · 1600 · Pinacoteca Vaticana The Fortune Teller (La Bonne Aventure) Same era · 1810s–1840s The Fortune Teller (La Bonne Aventure) Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco Drunkenness of Noah Same movement · Academic art Drunkenness of Noah Michelangelo · 1509 · Sistine Chapel Saturn Devouring His Son Same era · 1810s–1840s Saturn Devouring His Son Francisco Goya · 1820 · Museo del Prado
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