Frederic Sylvester Douglas by Jean-Auguste-Dominique Ingres

Frederic Sylvester Douglas

Jean-Auguste-Dominique Ingres · 1815

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“This lithograph offers an intimate glimpse into the early 19th century through a portrait that masterfully blends classical precision with a sense of individual introspection. It showcases the artist's exceptional drawing skill in capturing human character.”

ABOUT THIS WORK

In this lithograph, Frederic Sylvester Douglas is captured in a moment of thoughtful repose. His gaze, directed slightly away, suggests an internal world, a common characteristic in portraits from the early 19th century. The soft shading, a hallmark of Ingres's graphic works, defines the contours of his face and the subtle folds of his clothing, giving the impression of a living presence despite the monochromatic medium. Created in 1815, this piece reflects the refined drawing style that was a foundation of the Neoclassical movement, emphasizing clarity of form and idealized representation. The artist, Jean-Auguste-Dominique Ingres, often focused on the individual's character, even in these more intimate, less formal studies, making this portrait a compelling example of his approach to capturing human essence.

DETAILS
Artist
Jean-Auguste-Dominique Ingres
Date
1815
Medium
Lithograph on paper
Location
Art Institute of Chicago
Dimensions
Image: 18 × 14.8 cm (7 1/8 × 5 7/8 in.); Sheet: 28.7 × 24.8 cm (11 5/16 × 9 13/16 in.)
ART MOVEMENTS
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What to Notice

Five details hide in plain sight. Here’s where to look.

Frederic Sylvester Douglas
01

Observe the delicate lines that define Douglas's hair and the subtle shadows on his forehead.

02

Notice the slight tilt of his head and the gentle curve of his neck.

03

Look closely at the precise rendering of his collar and the folds of his coat.

04

See how the light falls on his cheekbone, creating a sense of dimension.

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THE ARTIST

Jean-Auguste-Dominique Ingres

1780–1867 · France

Jean-Auguste-Dominique Ingres, a French Neoclassical painter, masterfully blended academic tradition with expressive distortions, influencing modernists like Matisse and Picasso.

Read Ingres’s full story
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Beyond Ingres and Romanticism: works from the same years, and from the other movements Frederic Sylvester Douglas belongs to.

The Combat of the Giaour and Hassan Same movement · Academic art The Combat of the Giaour and Hassan Eugène Delacroix · 1826 · Art Institute of Chicago Snow Storm: Hannibal and his Army Crossing the Alps Same era · 1800s–1830s Snow Storm: Hannibal and his Army Crossing the Alps J. M. W. Turner · 1812 · National Gallery Head of a Child Same movement · Neoclassicism Head of a Child Jacques-Louis David · 1768 · The Metropolitan Museum of Art Wanderer above the Sea of Fog Same era · 1800s–1830s Wanderer above the Sea of Fog Caspar David Friedrich · 1818 · Hamburger Kunsthalle The Entombment of Christ Same movement · Academic art The Entombment of Christ Caravaggio · 1600 · Pinacoteca Vaticana Saturn Devouring His Son Same era · 1800s–1830s Saturn Devouring His Son Francisco Goya · 1820 · Museo del Prado Drunkenness of Noah Same movement · Academic art Drunkenness of Noah Michelangelo · 1509 · Sistine Chapel Napoleon Crossing the Alps Same era · 1800s–1830s Napoleon Crossing the Alps Jacques-Louis David · 1800 · Musée national de Malmaison et Bois-Préau
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