“This lithograph offers an intimate glimpse into the early 19th century through a portrait that masterfully blends classical precision with a sense of individual introspection. It showcases the artist's exceptional drawing skill in capturing human character.”
In this lithograph, Frederic Sylvester Douglas is captured in a moment of thoughtful repose. His gaze, directed slightly away, suggests an internal world, a common characteristic in portraits from the early 19th century. The soft shading, a hallmark of Ingres's graphic works, defines the contours of his face and the subtle folds of his clothing, giving the impression of a living presence despite the monochromatic medium. Created in 1815, this piece reflects the refined drawing style that was a foundation of the Neoclassical movement, emphasizing clarity of form and idealized representation. The artist, Jean-Auguste-Dominique Ingres, often focused on the individual's character, even in these more intimate, less formal studies, making this portrait a compelling example of his approach to capturing human essence.
- Artist
- Jean-Auguste-Dominique Ingres
- Date
- 1815
- Medium
- Lithograph on paper
- Location
- Art Institute of Chicago
- Dimensions
- Image: 18 × 14.8 cm (7 1/8 × 5 7/8 in.); Sheet: 28.7 × 24.8 cm (11 5/16 × 9 13/16 in.)
What to Notice
Five details hide in plain sight. Here’s where to look.

Observe the delicate lines that define Douglas's hair and the subtle shadows on his forehead.
Notice the slight tilt of his head and the gentle curve of his neck.
Look closely at the precise rendering of his collar and the folds of his coat.
See how the light falls on his cheekbone, creating a sense of dimension.
1 more detail is waiting.
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Jean-Auguste-Dominique Ingres
1780–1867 · FranceJean-Auguste-Dominique Ingres, a French Neoclassical painter, masterfully blended academic tradition with expressive distortions, influencing modernists like Matisse and Picasso.
Further Works by Ingres
Amédée-David, the Comte de Pastoret
1823 · Art Institute of Chicago
Joseph-Antoine Moltedo (born 1775)
1805 · The Metropolitan Museum of Art
The Virgin Adoring the Host
1841 · Pushkin Museum of Fine Arts
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
1853 · Metropolitan Museum of Art
Gabriel Cortois de Pressigny
1816 · Art Institute of Chicago
Pierre Alexandre Tardieu
1825 · Art Institute of Chicago
View of Saint Peter's in Rome
Art Institute of Chicago
Sheet of Studies with the Head of the Fornarina and Hands of Madame de Senonnes
1814 · Art Institute of Chicago
More from Romanticism
More works to explore
Beyond Ingres and Romanticism: works from the same years, and from the other movements Frederic Sylvester Douglas belongs to.
Same movement · Academic art
The Combat of the Giaour and Hassan
Eugène Delacroix · 1826 · Art Institute of Chicago
Same era · 1800s–1830s
Snow Storm: Hannibal and his Army Crossing the Alps
J. M. W. Turner · 1812 · National Gallery
Same movement · Neoclassicism
Head of a Child
Jacques-Louis David · 1768 · The Metropolitan Museum of Art
Same era · 1800s–1830s
Wanderer above the Sea of Fog
Caspar David Friedrich · 1818 · Hamburger Kunsthalle
Same movement · Academic art
The Entombment of Christ
Caravaggio · 1600 · Pinacoteca Vaticana
Same era · 1800s–1830s
Saturn Devouring His Son
Francisco Goya · 1820 · Museo del Prado
Same movement · Academic art
Drunkenness of Noah
Michelangelo · 1509 · Sistine Chapel
Same era · 1800s–1830s
Napoleon Crossing the Alps
Jacques-Louis David · 1800 · Musée national de Malmaison et Bois-Préau
Same movement · Academic art
Mona Lisa
Leonardo da Vinci · 1503 · Department of Paintings of the Louvre
Same era · 1800s–1830s
Conflagration of the Masonic Hall, Chestnut Street, Philadelphia, Pennsylvania
Samuel Jones · 1819 · Art Institute of Chicago
Same movement · Academic art
Lucretia
Raphael · Metropolitan Museum of Art
Same era · 1800s–1830s
Sketchbook: Souvenir of Naples
Artist Unknown - The Mercat Cross, Aberdeen · 1821 · The Metropolitan Museum of Art
Same era · 1800s–1830s
Samuel Fisher Bradford
Rembrandt Peale · 1803 · Art Institute of Chicago
Same era · 1800s–1830s
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827 · Art Institute of Chicago
Same era · 1800s–1830s
Mr. James Mackie
Samuel Alcock & Company · 1830 · Art Institute of Chicago
Same era · 1800s–1830s
Charles Paulet (1764–1843), 13th Marquess of Winchester
Thomas Stewardson · 1815 · Winchester Guildhall
Same era · 1800s–1830s
The Battle of Waterloo, 18 June 1815
Samuel Drummond · 1815 · Bradford Museums and Galleries
Same era · 1800s–1830s
Yachts of the Cumberland Society Racing on the Thames, circa 1815
William Havell · 1815 · Royal Museums Greenwich




