“Pause to appreciate this etching from 1815. It's a masterclass in delicate line work, capturing the quiet elegance and thoughtful expression of Lady Glenbervie with remarkable precision.”
This etching captures Katherine Anne North, Lady Glenbervie, in a moment of quiet dignity. Her gaze, directed slightly away from the viewer, suggests a thoughtful introspection. The delicate lines of the etching medium emphasize the softness of her features and the intricate details of her lace collar and cap. Her attire, though formal, has a relaxed quality, hinting at the sitter's comfort and perhaps her status within society. The artist, working in 1815, renders her with a precision that was characteristic of Neoclassicism, focusing on clarity of form and a restrained elegance. This portrait offers a glimpse into the refined world of the early 19th century, presenting Lady Glenbervie not just as a subject, but as an individual of quiet grace.
- Artist
- Jean-Auguste-Dominique Ingres
- Date
- 1815
- Medium
- Etching
- Location
- The Metropolitan Museum of Art
- Dimensions
- Sheet: 25 3/16 × 16 15/16 in. (64 × 43 cm)
- Collection
- Drawings and Prints
- Credit line
- Harris Brisbane Dick Fund, 1923
What to Notice
Four details hide in plain sight. Here’s where to look.

The delicate crosshatching that defines the shadows on her face and neck.
The intricate lacework of her cap, which frames her face.
The subtle texture of her dress, suggested by varying line weights.
The way her hair peeks out from beneath her cap, softening her profile.
Stand in front of it and listen
The full narration walks you through Portrait of Katherine Anne (North), Lady Glenbervie — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Jean-Auguste-Dominique Ingres
1780–1867 · FranceJean-Auguste-Dominique Ingres, a French Neoclassical painter, masterfully blended academic tradition with expressive distortions, influencing modernists like Matisse and Picasso.
Further Works by Ingres
Joseph-Antoine Moltedo (born 1775)
1805 · The Metropolitan Museum of Art
Amédée-David, the Comte de Pastoret
1823 · Art Institute of Chicago
The Virgin Adoring the Host
1841 · Pushkin Museum of Fine Arts
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
1853 · Metropolitan Museum of Art
Frederic Sylvester Douglas
1815 · Art Institute of Chicago
Gabriel Cortois de Pressigny
1816 · Art Institute of Chicago
Pierre Alexandre Tardieu
1825 · Art Institute of Chicago
View of Saint Peter's in Rome
Art Institute of Chicago
More from Romanticism
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Same era · 1800s–1830s
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Same movement · Neoclassicism
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Caspar David Friedrich · 1818 · Hamburger Kunsthalle
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Same era · 1800s–1830s
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Same movement · Academic art
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Same era · 1800s–1830s
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Same movement · Academic art
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Same era · 1800s–1830s
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Same era · 1800s–1830s
Samuel Fisher Bradford
Rembrandt Peale · 1803 · Art Institute of Chicago
Same era · 1800s–1830s
The Captive Slave (Ira Aldridge)
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Same era · 1800s–1830s
Mr. James Mackie
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Same era · 1800s–1830s
Charles Paulet (1764–1843), 13th Marquess of Winchester
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Same era · 1800s–1830s
The Battle of Waterloo, 18 June 1815
Samuel Drummond · 1815 · Bradford Museums and Galleries
Same era · 1800s–1830s
Yachts of the Cumberland Society Racing on the Thames, circa 1815
William Havell · 1815 · Royal Museums Greenwich




