Madame Edmond Cavé (Marie-Élisabeth Blavot, born 1810) by Jean-Auguste-Dominique Ingres

Madame Edmond Cavé (Marie-Élisabeth Blavot, born 1810)

Jean-Auguste-Dominique Ingres · 1831

Scroll

“Stop to appreciate this striking portrait of Madame Edmond Cavé. Its elegant simplicity and the sitter's direct gaze offer a window into 19th-century Parisian society and the enduring power of a well-rendered likeness.”

ABOUT THIS WORK

In this intimate portrait, Marie-Élisabeth Blavot, Madame Edmond Cavé, gazes out with a direct, yet gentle, expression. Her profile is sharply defined against a plain background, a technique that highlights her delicate features and the elegant curve of her neck. The artist, Jean-Auguste-Dominique Ingres, often focused on the purity of line and form, a hallmark of Neoclassicism. Here, the precise drawing of her hair, meticulously styled with a central part and soft waves around her ears, creates a sense of understated sophistication. Her simple black dress, though lacking elaborate detail, is rendered with a subtle sheen that suggests luxurious fabric. This work captures a moment of quiet dignity, emphasizing the sitter's inner grace rather than external adornment, a characteristic that makes it feel both timeless and deeply personal.

DETAILS
Artist
Jean-Auguste-Dominique Ingres
Date
1831
Location
Metropolitan Museum of Art
ART MOVEMENTS
LOOK CLOSER

What to Notice

Five details hide in plain sight. Pick one and we’ll show you exactly where to look.

Madame Edmond Cavé (Marie-Élisabeth Blavot, born 1810)

← → step through · Esc to close
5 details are marked · pick a number
01

Downcast profile

Follow the soft line from brow to nose, lips and chin. The lowered eyelid gives her a quiet, private mood.

1 of 5 on the painting
02

Ragged dark backdrop

The black patch behind her face has a rough, scrubby edge. It makes her pale skin glow, and it may have been a quick test of the tonal contrast.

2 of 5 on the painting
03

Glossy golden hair

Thick, buttery strokes in the bun and along the crown catch the light. They contrast with the thin, smooth paint of the face.

3 of 5 on the painting
04

Unfinished drawn collar

The shoulder and neckline are only thin brown lines over bare, pale ground. You can see the drawing underneath, left unfinished.

4 of 5 on the painting
05

Inscription

In the lower right corner, a handwritten inscription in dark ink reads as a dedication to Madame Cavé. It hints the sketch may have been a personal gift.

5 of 5 on the painting
AUDIO DEEP DIVE

Stand in front of it and listen

The full narration walks you through Madame Edmond Cavé (Marie-Élisabeth Blavot, born 1810) — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.

0:00Preview · 0:30Free preview · 0:30 Hear the full story in the app
THE ARTIST

Jean-Auguste-Dominique Ingres

1780–1867 · France

Jean-Auguste-Dominique Ingres, a French Neoclassical painter, masterfully blended academic tradition with expressive distortions, influencing modernists like Matisse and Picasso.

Read Ingres’s full story
MORE FROM THIS ARTIST

Further Works by Ingres

1 / 2
EXPLORE THE MOVEMENT

More from Romanticism

1 / 1
KEEP EXPLORING

More works to explore

Beyond Ingres and Romanticism: works from the same years, and from the other movements Madame Edmond Cavé (Marie-Élisabeth Blavot, born 1810) belongs to.

The Combat of the Giaour and Hassan Same movement · Academic art The Combat of the Giaour and Hassan Eugène Delacroix · 1826 · Art Institute of Chicago The Estuary Farm Same era · 1810s–1840s The Estuary Farm Léon-Victor Dupré · 1831 · Art Institute of Chicago Head of a Child Same movement · Neoclassicism Head of a Child Jacques-Louis David · 1768 · The Metropolitan Museum of Art Two Women with a Letter Same era · 1810s–1840s Two Women with a Letter J. M. W. Turner · 1830 · National Gallery The Entombment of Christ Same movement · Academic art The Entombment of Christ Caravaggio · 1600 · Pinacoteca Vaticana The Fortune Teller (La Bonne Aventure) Same era · 1810s–1840s The Fortune Teller (La Bonne Aventure) Jacques-Louis David · 1824 · Fine Arts Museums of San Francisco Drunkenness of Noah Same movement · Academic art Drunkenness of Noah Michelangelo · 1509 · Sistine Chapel Hamlet and Horatio in the Graveyard Same era · 1810s–1840s Hamlet and Horatio in the Graveyard Eugène Delacroix · 1839 · Department of Paintings of the Louvre
Hear Madame Edmond Cavé (Marie-Élisabe…’s storyFree in the Art Whisper app Open