Copy after David's "The Death of Socrates" by Jacques-Louis David

Copy after David's "The Death of Socrates"

Jacques-Louis David · 1787

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“This drawing is a meticulous copy after Jacques-Louis David's iconic painting, "The Death of Socrates." It vividly portrays the philosopher's final, defiant act, embodying the Neoclassical ideal of moral courage and stoic sacrifice.”

ABOUT THIS WORK

This small, detailed drawing is a copy after Jacques-Louis David's monumental painting, "The Death of Socrates," completed in the same year, 1787. It captures the dramatic moment when Socrates, surrounded by his grieving disciples, reaches for the cup of hemlock. The composition is a masterclass in Neoclassical ideals, emphasizing moral fortitude and intellectual sacrifice. Every figure is carefully placed, creating a powerful sense of order and emotional tension, from the stoic philosopher to his distraught followers. The artist uses a combination of graphite, pen, and wash to define forms and create a striking contrast between light and shadow, drawing the eye to the central, illuminated figure of Socrates. This drawing serves as a testament to the enduring impact of David's original work, meticulously reproducing its powerful narrative and classical structure.

DETAILS
Artist
Jacques-Louis David
Date
1787
Medium
Graphite, pen and brown ink, brush and brown wash
Location
The Metropolitan Museum of Art
Dimensions
Sheet: 3 15/16 × 6 5/16 in. (10 × 16.1 cm)
Collection
Drawings and Prints
Credit line
Gift of Eric Carlson, in honor of Paul Jeromack, 2013
ART MOVEMENTS
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What to Notice

Five details hide in plain sight. Here’s where to look.

Copy after David's "The Death of Socrates"
01

Socrates's calm gesture as he reaches for the hemlock cup.

02

Plato, seated at the foot of the bed, lost in thought.

03

The emotional expressions of the disciples, from despair to resignation.

04

The strong diagonal line created by Socrates's outstretched arm.

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THE ARTIST

Jacques-Louis David

1748–1825 · France

David survived revolution, prison, and exile to paint Napoleon's glory — and still died the most influential artist in France.

Read David’s full story
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