Allegory of the Catholic Faith by Johannes Vermeer

Allegory of the Catholic Faith

Johannes Vermeer · 1670

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“This is a rare allegorical work by Johannes Vermeer, depicting Faith in a richly symbolic domestic interior. Notice the profound spiritual intensity and the many hidden meanings in the objects around her.”

ABOUT THIS WORK

In this painting, a woman, personifying Faith, gazes upward with an expression of spiritual rapture. She wears a white satin gown and a blue cloak, her right hand pressed to her chest, while her left rests on a chalice and a large book. The scene unfolds in a domestic interior, yet it is rich with symbolic objects. Behind her, a large tapestry is pulled back, revealing a depiction of the Crucifixion. A terrestrial globe lies at her feet, and a serpent, crushed beneath a stone, bleeds into a glass. This work, made around 1670, is one of the few allegorical paintings by Johannes Vermeer, whose conversion to Catholicism likely influenced its deeply symbolic nature. It was likely intended for a learned and devout Catholic patron, perhaps for a hidden church.

DETAILS
Artist
Johannes Vermeer
Date
1670
Medium
Oil on canvas
Location
The Metropolitan Museum of Art
Dimensions
45 x 35 in. (114.3 x 88.9 cm)
Collection
European Paintings
Credit line
The Friedsam Collection, Bequest of Michael Friedsam, 1931
ART MOVEMENTS
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Allegory of the Catholic Faith

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01

Woman on the globe

The woman in blue and white satin rests one foot on a globe and presses a hand to her chest. Her head tilts back and her gaze lifts toward the glass sphere above. She is usually read as an allegorical figure of Faith.

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02

The glass sphere

A clear glass ball hangs from a blue ribbon at upper right, picking up small reflections of the room. It sits between the woman and the crucifixion scene behind her.

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03

Crucifixion painting

A large, dark painting of the Crucifixion hangs on the back wall behind the woman. Christ on the cross is flanked by mourning figures, and the picture anchors the religious theme of the room.

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04

Snake and blood

At the bottom edge, a snake lies beside a stone block, with a streak of red blood on the checkered floor. It is generally read as evil overcome by faith.

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05

The pulled-back tapestry

A heavy patterned curtain fills the left edge, as if we are peeking into the room. It frames the scene and pushes our eye across to the woman.

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THE ARTIST

Johannes Vermeer

1632–1675 · Dutch Republic

Vermeer painted just 34 known works, yet became one of history's most beloved masters of light.

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