Woman on the globe
The woman in blue and white satin rests one foot on a globe and presses a hand to her chest. Her head tilts back and her gaze lifts toward the glass sphere above. She is usually read as an allegorical figure of Faith.

“This is a rare allegorical work by Johannes Vermeer, depicting Faith in a richly symbolic domestic interior. Notice the profound spiritual intensity and the many hidden meanings in the objects around her.”
In this painting, a woman, personifying Faith, gazes upward with an expression of spiritual rapture. She wears a white satin gown and a blue cloak, her right hand pressed to her chest, while her left rests on a chalice and a large book. The scene unfolds in a domestic interior, yet it is rich with symbolic objects. Behind her, a large tapestry is pulled back, revealing a depiction of the Crucifixion. A terrestrial globe lies at her feet, and a serpent, crushed beneath a stone, bleeds into a glass. This work, made around 1670, is one of the few allegorical paintings by Johannes Vermeer, whose conversion to Catholicism likely influenced its deeply symbolic nature. It was likely intended for a learned and devout Catholic patron, perhaps for a hidden church.
Five details hide in plain sight. Pick one and we’ll show you exactly where to look.
The woman in blue and white satin rests one foot on a globe and presses a hand to her chest. Her head tilts back and her gaze lifts toward the glass sphere above. She is usually read as an allegorical figure of Faith.
A clear glass ball hangs from a blue ribbon at upper right, picking up small reflections of the room. It sits between the woman and the crucifixion scene behind her.
A large, dark painting of the Crucifixion hangs on the back wall behind the woman. Christ on the cross is flanked by mourning figures, and the picture anchors the religious theme of the room.
At the bottom edge, a snake lies beside a stone block, with a streak of red blood on the checkered floor. It is generally read as evil overcome by faith.
A heavy patterned curtain fills the left edge, as if we are peeking into the room. It frames the scene and pushes our eye across to the woman.
The full narration walks you through Allegory of the Catholic Faith — the story behind it, the details most visitors miss, and why it matters. Free in the Art Whisper app.
Vermeer painted just 34 known works, yet became one of history's most beloved masters of light.
A Maid Asleep
1656 · The Metropolitan Museum of Art
Young Woman with a Water Pitcher
1657 · The Metropolitan Museum of Art
Young Woman with a Lute
1662 · The Metropolitan Museum of Art
Study of a Young Woman
1665 · The Metropolitan Museum of Art
A Young Woman Reading
The Metropolitan Museum of Art
Christ in the House of Martha and Mary
1650 · Scottish National Gallery
Diana and her Nymphs
1650 · Mauritshuis
The Girl with the Wine Glass
1650 · Herzog Anton Ulrich Museum
Beyond Vermeer and Baroque: works from the same years, and from the other movements Allegory of the Catholic Faith belongs to.
Same movement · Dutch Golden Age painting
Anna van der Aar (born 1576/77, died after 1626)
Frans Hals · 1626 · The Metropolitan Museum of Art
Same era · 1650s–1680s
Portrait of Gerard de Lairesse
Rembrandt · 1663 · The Metropolitan Museum of Art
Same movement · Dutch Golden Age painting
Lieven Willemsz van Coppenol (born about 1599, died 1671 or later)
Rembrandt · 1626 · The Metropolitan Museum of Art
Same era · 1650s–1680s
Sofia Augusta, 1663-1694, prinsessa av Anhalt-Zerbst hertiginna av Sachsen-Weimar
Salomon Duarte · 1670 · Nationalmuseum
Same era · 1650s–1680s
The Music Lesson
Gerard ter Borch the Younger · 1670 · Art Institute of Chicago
Same era · 1650s–1680s
Resurrection of Christ
Samuel van Hoogstraten · 1665 · Art Institute of Chicago
Same era · 1650s–1680s
Venus and Cupid
Adriaen van der Werff · 1684 · Vizcaya Museum and Gardens
Same era · 1650s–1680s
The Fall of the Giants
Jacob Jordaens · 1663 · Art Institute of Chicago
Same era · 1650s–1680s
The wedding party
Jan Steen · 1660 · Museum Boijmans Van Beuningen
Same era · 1650s–1680s
Bouquet of flowers in a glass vase
Jan van Kessel the Elder · 1659 · Suermondt-Ludwig-Museum
Same era · 1650s–1680s
Still-Life with Hunting Equipment and Dead Birds
Willem van Aelst · 1668 · Staatliche Kunsthalle Karlsruhe
Same era · 1650s–1680s
Wolf
Jan van Os · 1655 · Art Institute of Chicago